The Legend of Renaud of Montauban, 7: The Dutch Poem

Renout van Montalbaen, in Dutch verse. 1200’s. Only fragments survive. Editions:

Renout van Montalbaen, met inleidning en aanteekeningen door Dr. J. C. Matthes, Groningen, Wolters (Bibliotheek van middelnederlandsche letterkunde, 15), 1875. This one has six of the fragments.

Roethe, G., “Günser Bruchstück des mnl. Renout von Montalbaen”Zeitschrift für deutsches Altertum und deutsche Litteratur, 48, 1906. This one has a seventh fragment.

Vita Sancti Reinoldi Rythmice. A Latin saint’s life in verse, printed by Joseph Floss in Annalen des historischen Vereins für den Niederrhein, inbesondere das alte Erzdiöcese Köln, Volume 30, 1876, pages 185-203. Clearly from the Dutch, as evidenced by the names of the brethern, their mother being the sister of Charles, Clarice being Yon’s daughter, and Renaud’s slaying of three sultans in the Holy Land.

De Historie van den vier Heemskindern. Dutch prose adaptation, 1508. This is the ancestor of the Dutch chapbooks. Edition: De Historie van den vier Heemskindern editor G. S. Overdiep, 1931, available for free online from the Digitale Bibliotheek voor de Nederlandse Letteren. A beautiful edition.

In 1619 a censored edition, expunging passages considered contrary to morals and the Catholic Faith, received the imprimatur and became the standard version in the Catholic Low Countries. The Protestants continued to print the old version. The censored version was used in Dutch schools well into the twentieth century, and thus escaped the corruptions of the popular French versions.

Die vier Heymons Kinder. German prose adaptiation of 1604. The standard German edition and ancestor of the German chapbooks.

Reinolt von Montelban oder die Heimonskinder. Middle High German verse, 1450. Two manuscripts survive, complete. Edition: Reinolt von Montelban oder die Heimonskinder, edited by Fridrich Pfaff, 1885, Volume 174 of the Bibliothek des Litterarischen Vereins in Stuttgart.

Histôrie van Sent Reinolt. Short prose adaptation of the Dutch poem and other sources into Colgone-dialect German, c. 1450. Edited by Al. Reiffersheid. Zeitschrift für deutsches Philologie. Volume 5, 1874, pp. 271-293.

 

THE GERMAN POEM

The German Reinolt von Montelban is a very close adaptation of the Dutch, as far as anyone can tell. Since it is complete, and the Dutch is fragmentary, we will give a summary of the German as our base.

Charlemagne holds court at Pentecost, to which come Heyme [Aymon], Eymerich von Narbonne [Aymeri], and their nephew Hugh of Dordonne. Hugh asks Karl to requite his uncles for their long service. Charles cuts his head off. This begins a war that lasts sixteen years, in which the rebels are aided by Maugis. At last Charles makes peace by giving his sister Aye to Aymon in marriage. Nonetheless, Aymon swears that he will kill any of Charles’ relatives he finds. This leads Aye to conceal her four pregnancies, which produce Ritzart, Fritzart, Adelhart, and Reinolt. Meanwhile, Charles has a son, Ludwig [Louis the Pious]. When these five lads are of age to bear arms, Charles holds court at Pentecost again, to which Aymon does not come. Charles sends Roland, William of Orange, Bertram, and Bernard to summon him. At his castle, the talk turns to heirs, and Aymon laments his childlessness after thirty years of marriage. Aye sounds his feelings, and reveals that he actually has four sons. Aymon dubs his sons knights and gives them horses. Reinolt tests his horses by punching them in the head and kills three, before his father says he will have to have Beyart, who has the strength of nine horses, and is the son of a “dromedarius”, born on St. John’s Day. Reinolt and Beyart have a brutal fight, but Reinolt masters him. He is white behind and before, but his head has spots like a leopard’s. After this, Charles announces that he is going to crown Ludwig his heir and co-emperor. At the feast, Ludwig, urged on by the traitors Gavelon, Hardrich, and Macharius, insults the Sons at every turn, but they best him at the games and sports. Finally, Ludwig and Adelhart wager their heads on a game of chess. Ludwig wins three games, but Reinolt draws Adelhart away. They confront Ludwig later on in the hall, before King Charles. They behead Ludwig, and the Four Sons flee on Beyart. Aymon at first fights for them against the pursuing knights, but he is reconciled with Charlemagne. The Sons briefly stop by their castle of Pierlepont before fleeing south, to take service with King Safforet of Spain. After three years, in all which time they are not paid, they quarrel with him, cut his head off, and present it to his foe, King Yves of Dardone. They conquer Safforet’s kingdom for Yves, and live in peace in Dardone for seven years. Charles hears news of them, and sends threats, but Yves scoffs and gives his daughter Claradys to Reinolt and helps him build the castle of Montelban on the Gironde.

Charles goes on pilgrimage with Roland to St. James, and sees Montelban on the way. He lays siege to it for a year, but is forced to retreat. Reinolt now wishes to go see his mother, whom he has not seen for seven years. The Four Sons trade clothes with pilgrims and go to Dordone in secret. Aye receives them gladly. Aymon, however, is not present. He returns with his army, and attacks his Sons. Reinolt cuts off his hand, nose, and mouth, trusses him up on a horse, and sends him to Charles, who lays siege. Starvation threatens, so Aye sends the three oldest barefoot to Charles to ask mercy. He siezes them and plans to hang them at Monfaucon. Reinolt hurries to Montelban and returns riding Beyart. He offers to give Charles a life-size gold statue of Ludwig and to spend seven years Crusading with his brothers, if Charles will make peace. Otherwise he will lay France waste and behead Charles just like Ludwig. Charles chooses war.

Reinolt, distressed and wondering how to rescue his brothers, falls asleep in the woods. Beyart wanders off looking for food, and is captured by some of Charles’ men. The king gives him to Roland, who promises a lady that he will not ride the steed until Sunday. The army returns to Paris.

Reinolt awakens and despairs. Malegys,  Reinolt’s “uncle” [perhaps just meaning “older relative”], arrives in disguise as an ancient pilgrim, and teases Reinolt before revealing himself. Four passing monks tell Malegys about Roland then murders four passing monks and steals their clothes. The two, disguised as monks, ride to Paris, where the abbot of “their” abbey tells them of Charles’ plans for a feast and the execution of Reinolt’s brethren. Malegys disguises Reinolt as a blind man, and the two of them wait for Charles to pass by, with Roland and Beyart. Malegys tells Charles that a wise woman told him that if a blind man sits on Beyart, he will recover his sight. Charles obligingly lets Reinolt sit on the horse, and Reinolt gallops off. Malegys reveals himself and escapes. Charles wishes to hang Reinolt’s brothers immediately, before anything else goes wrong, but the Peers oppose him, and they compromise on hanging the brothers at dawn. At midnight, however, Malegys by magic opens the prison and rescues them, stopping to taunt Charles (who thinks he’s dreaming), tell him they’ll be waiting for him at Montelban, and steal his crown and sword.

Word comes that King Assys’ Saracens are besieging Cologne, so Roland and the peers go and kill them. Charles decides Roland needs a horse worthy of him, and holds a horse race, offering his crown to the winner. Malegys and Reinolt go in disguise, win, reveal themselves, and leave with the crown, scorning Charles’ attempts to ransom it for a hundred-day truce.

When Easter comes around again, Charles sends four mules laden with gold to Yves, ordering him to betray the brothers or else. Yves succombs at once, without even consulting his barons, and agrees to send the brothers to Falcolon [Vaucoleurs], without armor and without Beyart. He goes to Montelban and arranges the treason, claiming that he can’t embrace Reinolt or eat his food because of his headache. Claradys is suspicious, but Reinolt slaps her for believing in dreams and insulting her own father. The brothers go to Falcolon, where they are ambushed by Fauke von Morlyon and Ogier. Reinolt splits Fauke’s head open with Florsberg, Rizhart is sorely wounded, Reinolt duels Ogier on foot, and their horses fight each other, and finally the brothers take refuge on a tall, defendable, rock. Malegys comes to the rescue, and the cousins return to Montelban, whence Yves flees to the cloister of Beaurepar. Rizhart reconciles Reinolt and Claradys.

Ogier, meanwhile, returns to camp, and thinks Yves must have sent Malegys. The Twelve Peers attack Beaurepar, intending to hang the king for his alleged double-treason. Reinolt comes and rescues him. Charles lays siege to Montelban. Rizhart is captured by Roland and taken with the army all the way back to Paris. but none of the Peers are willing to hang him except Rippe. Rizhart is led out to Montefaucon to be hanged, but Malegys has been spying in Paris disguised as a pilgrim, and returns with the brothers, who hang Rippe instead, kill his men, and dress Rizhard in his armor. Charles and Ogier, meanwhile, are at the palace, when “Rippe” returns. Charles comes out to meet him, Rizhard reveals himself, and his brothers leap out of ambush. A melee ensues. As the two sides are withdrawing, Olivier spots an old pilgrim hobbling away, realizes it must be Malegys, and captures him. The Peers are inclined to treat him well at dinner, but Charles chains him in the dungeon and sets the Peers to guard him. At midnight, he puts them to sleep, steals their swords, and escapes. Reinolt, meanwhile, has had a dream of Malegys being hanged, and rides to his castle to check on him. He is not there, so Reinolt goes to Paris, where he meets Malegys, who has handily escaped and is now carrying twelve swords. They return to Montelban.

Charles pursues with his army, and the siege resumes. Peace negotiations break down, and Charles captures Malegys again. At midnight, Malegys escapes, carries Charles off to Montelban, and departs. Charles will not make peace unless Malegys is executed, and Reinolt cannot hand over his cousin and will not execute his sovereign, so he sets him free, and the siege resumes. Everyone starves except the brothers and Claradys [Yves has vanished from the scene, and Reinolt’s children are not mentioned but are presumably here]. They eat all the horses save Beyart, but they bleed him and survive on his blood for forty days. At last, they are forced to flee. Beyart carries the Four Sons (they leave Claradys [and the unmentioned children] behind) to their castle in Arden, whither Charles pursues them. Duchess Aye persuades the emperor to make peace, but he insists on executing Beyart. Charles ties a millstone around the horse’s neck and throws him in the river, but he sees Reinolt, bursts the stone, and rushes to his side. Charles throws him back in with a millstone on each leg, and he escapes again. Charles forbids Reinolt to watch the execution, and this time Beyart escapes to the wood, never to be seen again. Reinolt returns home to Montelban, dubs his eldest son Emmerich a knight, and gives him the castle as his fief. He then departs on pilgrimage.

He spends three years in a hermitage, until a heavenly voice tells him to go to the Holy Land. He meets some knights sent by Pope Calixtus, and travels with them from Tripoli to Acre. There he finds Malegys, who has been living as a hermit in Galilee. The two of them slay a Sultan, but two more Sultans comewith nine champions. They conquer Nazareth and Jerusalem, slaying many Christians. Malegys is slain fighting them, but Reinolt single-handedly saves the day, and turns the whole land back to Christianity. The Patriarch wishes to crown him king, but Reinolt refuses and sails home to Marseilles. When he arrives, he learns that his son Emmerich is to fight a duel with Count Willam of Romelion in Paris. He goes to Paris, in disguise, and informs the king of the wars in the Holy Land and of Malegys’ death. Gavelon and Pynapel arrange for Pynapel’s eldest son Galleran to fight on William’s behalf, but Emmerich still wins. Reinolt now wanders to Cologne, where he joins the laborers on St. Peter’s Church. He works harder than anyone, but only takes a penny a day for wages. The others, jealous, kill him with their hammers and throw his body in the Rhine, tied up in a sack. Although it is the middle of the night when they do this, they hear a sweet sound and see as clearly as if it were day. An old widow who has been fourteen years lame, blind, and deaf has a dream telling her to go down to the river and to draw out the man’s body in a sack which she will find there. She has herself taken to the river bank, is cured upon seeing the sack, and drags it to land. On the body is a costly girdle, which reads “I am Reinolt von Montelban”. The people of Dorpmund hear tell of this, and wish to have the body, which the bishop of Cologne refuses to grant. But when it is laid in a cart, the cart moves of itself and travels all the way to Dorpmund, obliging the bishop to give in. Charles hears tell of his nephew’s death and threatens to raze Cologne. He settles for hanging the murderers. He then goes to Dorpmund and weeps over his nephew’s body. Saint Reinolt, pray for us, and all say Amen.

The Legend of Vivian of Aigremont

The legend of Vivien of Monbranc, brother of Malagise, is found in the following versions:

The chanson de geste in rhymed Alexandrines, in the manuscript Montpellier H. 247, from between 1350 and 1400. The poem is from around 1225-1275, but the only surviving copy is very obviously abridged.

The prose rendering in BNf. Fr. 19.173, rather expanded, and interlaced with the history of Maugis.

No English translations.

VIVIEN L’AMACHOUR DE MONBRANC

MANUSCRIPT M: MONTPELLIER

Containing Doon de Mayence, Gaufrey, Ogier le Danois, Gui de Nanteuil, Maugis D’Aigremont (abridged) Vivien l’Amachour (probably abridged, but no earlier copies are known), and Renaud de Montauban (abridged, ending lost, stops as Renaud is on pilgrimage).

Vivien and his wife Esclarmonde convert to Christianity, to the anger of Sodant of Babylon, who lays siege to Vivien’s castle of Monbranc. They send for help to Bueves of Aigremont, Aymon of Dordonne, Girart of Roussillon, Doon of Nanteuil, and Maugis. Bueves and Maugis call on Charlemagne for aid, threatening to renounce their vassalship if he refuses. He refuses, and they do so, with insults. Lohier, Charles’ son, is infuriated, and strikes Maugis with the flat of his sword, but Maugis makes an illusionary river flow between them, and escapes with his father. They join their kinsmen, including Renaut, Aalart, and their horse Bayart. Maugis sends his squire Fousifie ahead, who makes himself and his dromedary invisible to pass the Pagan lines and reach Monbranc. Vivien, encouraged by his arrival, makes a sally, but is captured. The Pagans send him to Babylon, but Maugis, Renaud and Aalart rescue him. A long and bloody battle follows, wherein King Othon, King Brandoine, and Brandoine’s uncle Hernaut de Moncler are slain on the Christian side, and everyone on the heathens’. Maugis returns to Rocheflour with Oriande. Vivien and Esclarmonde remain in Monbranc. Bueves lives peacefully until the day Lohier is sent to him.

ORIGINS OF THE LEGEND

Pure fiction. Written c. 1240-1260. After Renaud de Montauban and Maugis d’Aigremont, but before Gaufrey, Doon de Mayence, and Gaydon. An Amachour is allegedly a Saracen title, probably in reality a corruption of “Emir”.

The Legend of Renaud of Montauban 4: The Quatre Fils in Prose

The MSS of the mises en prose of the Quatre Fils fall into two families.

FIRST FAMILY

Sl: British Museum, Sloane 960. (Sloane)

Follows MS D very closely. Aye recommends her sons go to Gascoine, not Espagne. There are some details from later versions, however: e. g. Baiard was raised on an isle in the sea, Charlemagne mobilizes his army at Laon, not Paris. There is an edition by Marie-Henriette Notredaeme which is sitting unpublished in the University of Ghent and will never see the light of day. Support copyright reform!

SECOND FAMILY

These MSS omit the prologue, and begin with the Ardennes episode in the standard version, not from CNV. Probably from P, A, or O.

La: BN fr. 1481 (Lancelot)

Bm: British Museum, Royal 16 G II. (the same as MS. B of the Quatre Fils) The best MS.

Ma: British Museum, Royal 15 E VI. (Marguerite d’Anjou)

Tr: Troyes, Bib. Municpale, 743. (Troyes)

Co: BN fr. 19170, (Coislin)

SECOND FAMILY WITH PROLOGUE ADDED

Ar: Arsenal, 3151. (Arsenal)

Ar is the MS, or is very similar to the MS, from which the French printed version is derived, with all its descendants, including William Caxton’s English translation and the French chapbooks in the Bibliotheque Bleue. It is the only MS of the Second Family to include the story of Bueves of Aigremont, after ZM. An edition was done by Jean-Marcel Léard for a doctoral thesis, and sits unpublished and gathering dust in the University of Sorbonne. Support copyright reform!

Sl follows D very closely. Its most interesting detail is that Baiard is a fairy horse, brought up on an isle off the coast of Normandy, by a fairy in Sansbart [does not exist], near Torigny, in the diocese of Bayeux. Other minor details differentiate it from D, such as Charles gathering his army at Laon, and not Paris, when he is making war against the Sons in the Ardennes.

 

Most MSS of the Second Family omit the story of Bueves, and thus begin with Charles going to war against the four brothers, who live in the Ardennes, for no apparent reason.

Ar is the only one to include the embassy of Lohier, the death of Bueves, and the deadly chess game. The second family, in general, follows A, although the story of Bueves is from the ZM version.

The chase is the most common version, DCVA. Ogier, Naimes and Foulques guard the Paris gates.

Tremoigne is PLOMAH. Maugis succors the merchants. Charlot does not feature. Baiard is thrown into the Meuse at Liege.

The Holy Land episode is from PLOA, as is the Combat of the Sons.

Renaud is killed with hammers, and his body stops in Ceoigne, as in POA.

 

In some 1500’s editions, Baiard was born not in Etna or Boucan, but on Colchos (where Jason found the Golden Fleece).

The French chapbooks, known as the Bibliothèque Bleue, of the Quatre Fils, under various titles, are descended from Ar. Each one faithfully copied the errors of its predecessors and added new ones of its own. Chapters were dropped, pages sewn in backwards and never corrected, abridgements were made more or less at random, religious references were removed, swear words toned down, etc. A particularly absurd example comes from the death of Bertholai, which he brings on himself by calling Renaud “malheureux [wretch]” because “whoreson” was too offensive to print. Guitelin the Saxon [Le Saisne] becomes Guerdelin the Lazy [Le Fène], etc. Some versions change the ending: Pinabel, of the family of traitors, is in the process of carrying off two damsels, when Renaud happens to see him. Renaud challenges him to battle, and in the ensuing struggle the two of them roll into the river and drown.

We will spare the reader a full list of chapbooks, but he may find such a list in Part VI of Entre Épopée et Légende: Les Quatre Fils Aymon ou Renaud de Montauban.

 

The Legend of Renaud of Montauban 3: Variants of the Quatre Fils

The summary given in this post is printed after D, the earliest manuscript of the Quatre Fils. However, most parts of the poem have at least two redactions, and the MSS switch from one redaction to the other with no apparent rhyme or reason, and no two parallel each other’s jumps exactly. D usually gives the oldest form, but it is not free of inconsistencies.

Many manuscripts, in their recapitulations, make reference to events or details that are not actually recounted in that particular manuscript, but are found in others. It is not always clear whether the reference is to an existing but omitted episode, or whether the episode was invented to explain the reference.

Beuves episode

A DIVISION OF THE MANUSCRIPTS ACCORDING TO THE ARDENNES EPISODES.

FIRST FAMILY: The enfances of Reynard are interspersed with the story of Beuve d’Aigremont, like so. First fragment: the dubbing of the Four Sons and their tilt at the quintaine. Second: Aymon and his sons flee Paris after the death of Lohier. Third: the quarrel at chess and its consequences, leading into the Ardennes War. DPAZMO

SECOND FAMILY: The second fragment is suppressed. The tilting at the quintaine is moved to just before the quarrel at chess. NC.

THIRD FAMILY: The first and third fragments are united and moved to the end of the Bueves episode. The second is still gone. LV. Hence in these, the entire war with Bueves is over before Renaud even appears on the scene.

For the Bueves d’Aigremont episode proper, OLNC (Italian) give the same redaction, in which Enguerrand is sent to Bueves and slain before Lohier. DPA (Caxton) give a different one. MZ formed their own version, still without Enguerrand. V is unique and lacks Enguerrand.

Aigremont

Aigremont is on the river Agremore [nonexistant] which flows into the Garonne, DPAMZ.

Aigremont is in Lombardy, and Bueves is killed in the plain of Souvigny [in Auvergne] on his way home, LNC.

The Italian Cantari claims that Agrismonte is reached from Paris by passing through Champagne and past Troyes, and that it stands on a mountain on the river Agremore, along which many merchant ships sail.

Continue reading

The Legend of Renaud of Montauban 2: The Original Version

Renaud de Montauban, also called Les Quatre Filz Aymon, is the oldest (surviving) version of the adventures of Rinaldo and his family. It is an Old French chanson de geste in assonanced and rhymed alexandrines. There are at least two redactions of every part of the poem, but the eleven manuscripts switch from one redaction to the other with gay abandon, and no two MSS parallel each other’s switches exactly. They are listed here in roughly chronological order, followed by a summary of the story according to the oldest (surviving) MS.

D: Oxford Bodleian Douce 121. c. 1250. The oldest, though not in all respects a perfect representation of the original. Beginning missing down to the battle of Lohier’s and Bueves’ men. Contains only Renaud de Montauban. Printed by Jacques Thomas, under the title “Renaut de Montauban. Édition critique du manuscrit Douce”. Genève, Droz (Textes littéraires français, 371), 1989.

Z: Metz Municipale 192. 1250-1300. Contained only Renaud de Montauban. Ending lost, after Maugis’ departure from Montauban. Entire MS destroyed in the Second World War. Only portions were printed.

P: Cambridge, Peterhouse, 205. 1275-1300. Contains Maugis D’Aigremont and Renaud de Montauban. 

N: Paris Bib. Nat. fr. 766. circa 1300. Formerly known as C. Contains Maugis D’Aigremont, Renaud de Montauban, and La Mort Maugis.

O: Oxford Bodleian Laud misc. 637. 1333. Contains Renaud de Montauban and miscellaneous texts on various Kings of England.

C: Paris Bib. Nat. fr. 775. 1325 to 1350. Formerly known as B. Contains only Renaud de Montauban.

L: Paris Bib. Nat. fr. 24.387. Around 1300. Also known as La Valliere. Older sources mistakenly considered this the earliest manucript. Contains Renaud de Montauban and Li Romans de Sapience, which is a French verse translation of some parts of the Bible. Printed by Castets under the title “La chanson des quatre fils Aymon d’après le manuscrit La Vallière”. 1909.

M: Montpellier Fac. Medicine H. 247. Believed to be an abridgement of Z. 1350-1400.  Contains Doon de Mayence, Gaufrey, Ogier le Danois, Gui de Nanteuil, Maugis D’Aigremont (abridged) Vivien l’Amachour (probably abridged, but no other copies are known), and Renaud de Montauban (abridged, ending lost, stops in the middle of one of Renaud’s battles in the Holy Land.)

V: Venice St. Mark fr. XVI. 1390 to 1400. Contains only Renaud de Montauban, last few pages lost. Ends abruptly as Renaud and Maugis prepare to battle the Saracens in the Holy Land.

A: Paris, Arsenal 2990. Around 1400. Contains only Renaud de Montauban.

H: Oxford Hatton 59. Three fragments. The first and third are unprinted, I believe. The second begins with the counsel of Yon and his barons before Valcoleurs, and ends I know not where. It was printed by Waltur Erdmann under the title “Fragment II der Oxforder Renaut-Handschrift Hatton 59 : Die an den Verrat der Haimonskinder bei Valkulur sich anschliessenden Scenen”. The third begins I know not where and ends with the drowning of Baiard, claiming that the story ends there.

Arlima, at the time of writing, wrongly lists Paris Arsenal 3151 and 5071-5073 as verse, when they are really in prose.

There are also comparative editions, giving all the manuscripts of a certain passage.
Of the Ardennes episode: Jacques Thomas’ “L’épisode ardennais de Renaut de Montauban. Édition synoptique des versions rimées”. From the arrival of the Four Sons at court to their departure for Gascony.
Of the treason of Vaucoleurs: Antonella Negri: “L’episodio di Vaucouleurs nelle redazioni in versi del “Renaut de Montauban””. 1996. From Charles’ sending of a messenger to King Yon to the arrival of Maugis at the Rock and his healing of Richard.
Of the drowning of Baiard: Jaques Thomas’ “La Sortie de Bayard selon les Differents Manuscrits en Vers et en Prose” in Romanica Gandensia XVIII: Etudes sur “Renaut de Montauban”.
Comparative editions of the siege of Tremoigne, the Pilgrimage, and the Martyrdom exist as unpublished theses in the University of Ghent and will probably never see the light of day. Support copyright reform!

M is a vast collection of romances from the Geste de Doon de Mayence, and its copy of Les Quatre Fils Aymon stands apart from all the others by reason of its extreme abridgement. Since the other two Renaud romances in this manuscript, the Maugis d’Aigremont and the Vivien de Monbranc, are also highly abridged, it is generally assumed that the abridgement was the work of an impatient scribe and was not an independent tradition.

A SUMMARY OF THE  STORY ACCORDING TO DOUCE – THE OLDEST SURVIVING VERSION

MANUSCRIPT D: DOUCE

Containing only Renaut de Montauban.

There were four brothers: Girard of Roussillon, Doon of Nanteuil, Aymon of Dordonne, and Beuve of Aigremont. At Pentecost, Charlemagne summons to his court certain knights who had failed to help him in his war against the Saxon King Guitequin, where Baudoin died. One of these is Beuve of Aigremont. To him, therefore, the emperor sends his son Lohier as a messenger. Bueve and Lohier treat each other so insolently that a general melee breaks out in the city, and Lohier is slain. Beuve sends his corpse to Charles.

Meanwhile, Charles is fuming at court. Aymon offers his services to the king if war should break out, and Charles dubs Aymon’s sons Alard, Renaud, Guichard, and Richard knights. He gives Renaud the fairy horse Baiard (from Normandy), and the sword Froberge [Fusberta]. As they are tilting at the quintaine in the ensuing celebrations, the corpse of Lohier arrives. Charlemagne weeps, and Aymon and his sons quietly slip away to Dordonne.

Charlemagne sends Ogier as messenger to Bueve offering peace, but then sends Grifon de Hauteville and Foulques de Morrillon to ambush him on the road and kill him. It is done, and a few survivors escape to Aigremont, where Bueve’s son Maugis swears vengeance. Maugis goes to his uncles Girard and Doon, who lead their army into France, and are stopped at Troyes, where, after a battle with Charlemagne’s army, led by Richard of Normandy, they make peace. Charlemagne returns to Paris to celebrate, and among those assembled are Aymon, his children, and Maugis. Amidst the festivities, Renaud quarrels with the king’s nephew Bertholet over a game of chess. Bertholet strikes Renaud, who appeals to Charlemagne, who refuses to grant him justice, and so Renaut kills Bertholet with the chessboard. The Four Sons flee, Aymon disowns them, swears allegiance to Charles, and bars Dordonne against his sons, who flee to the forest of Ardennes, where they build a castle by the Meuse and name it Montessor.

Charlemagne lays siege to Montessor. At Naimes’ advice, he offers to raise the siege if the brothers will hand over Richard to be executed. They refuse, and begin to wait out the siege. At last, Renaud decides to sortie. Renaud fights Aymon, Charlemagne’s army retreats, and Renaud’s men return to Montessor with plunder. As winter draws nigh, Charles sends a traitor to Montessor to pretend to be a disaffected vassal of his. The traitor is warmly received, but opens the gates that night. The Four Sons must flee. They hide in the Forest of Arden. Charles returns home, as does Aymon. On his way to Dordonne, his sons approach him, but he is accompanied by one of Charles’ men, and so defies them. In the ensuing battle, all Renaud’s men save the brothers are slain. Aymon rides to Charles for reinforcements, is rebuffed, and returns to Dordonne. The brothers live in poverty in Arden, robbing passers-by. They barely survive the winter.

In spring they go as beggars to Dordonne, where they reveal themselves to their mother. Aymon, due to his oath, cannot give them supplies, but allows them to take as much as they need. Maugis arrives with treasure stolen from Charlemagne in Orleans, and the five head south.

In Gascony, the brethren take service with King Yon, and defeat for him an invading Saracen king named Begue. King Yon, in gratitude, gives them permission to build a castle not far from Dordogne, which they name Montauban. He also gives his sister Clarice to Renaud in marriage, and the happy couple have two sons, Aymonet and Yonnet.

But no happiness can last. Charlemagne, returning from a pilgrimage to Saint James, passes by Montauban, and is furious to learn that the Four Sons are alive and well. Charlemagne orders Yon to hand them over, and when he refuses, swears to return with all his army. First, however, he must defeat the Saxons, who are besieging Cologne. He sends his nephew Roland, who has just come to court for the first time and is looking to prove himself. Roland returns with glory, and Charles announces he will offer his crown as the prize of a horse race, with the intent to buy the winning horse for Roland. He sets Ogier, Naimes, and Fouques of Morillon to guard the south road, lest Renaud come. Maugis disguises Renaud and Baiard by magic, and Renaud pretends to be a Breton who speaks no French. The Peers do not recognize them, but their host does, and starts to run for Charlemagne, but Renaud kills him. He then wins the race, reveals himself, mocks Charles, and flees with his crown.

[Around here the poem changes from rhyme to assonance]

Charles comes into Gascony, and makes his headquarters at Monbendel, whence he sends messengers to Yon to plot treason. Yon is at first angry enough to try to hang the messenger, but his barons calm him and persuade him to hold a counsel. They overrule him and oblige him to agree to the treason. Yon tells the brethren that he has achieved peace with Charlemagne. The brethren are to wear red robes send by Charles and meet him unarmed in the field of Vaucoleurs. They do so, and Charles’ men fall on them. In the fight, they kill Foulques of Morillon, and then flee to the top of a rock, which is so constituted that the four of them can hold it against thousands. Ogier the Dane, however, the commander of Charles’ men, is cousin to the Sons and does not particularly wish to fight them. He sends a detachment to Montauban, ostensibly to capture Maugis, but really to alert him. Maugis arrives on Baiard, cures the wounds of his cousins, and they all escape. Yon, terrified, flees to a monastery, but Roland, who detests traitors, drags him therefrom, intending to hang him outside Montauban, which Charles is now besieging. Renaud’s brothers persuade him to rescue the King, and they do so. Renaud fights Roland in single combat, but the melee soon becomes general, and the Gascons retreat to the castle, not realizing Richard has been captured. When they do realize it, Maugis disguises himself as a pilgrim and sets out for Charlemagne’s camp, pretending to have been robbed by Maugis. He fools Charles and begins spying, and sees Roland arrive with his prisoner Richard. Maugis returns to Montauban with the news

Charlemagne wishes to hang Richard, but none of his barons are willing to carry out the execution, except Ripeus of Ripemont. Richard’s brothers lead their army and rescue him at the very foot of the gallows, slaying Ripeus despite his pleas for mercy. Richard dons Ripeus’ armor and goes to Charles’ camp, where he reveals himself to Ogier and Charles. Charles starts a fight, but Renaud comes to his brothers aid. He offers to hand over Montalban and Baiard to Charles, and go to the Holy Land with Maugis, but Charlemagne refuses. In the ensuing battle, Renaud trashes Charlemagne’s pavilion and steals the golden eagle that was on top of it. They return to Montalban, failing to realize that Maugis has been captured by Oliver. Charles wishes to hang Maugis at once, but Maugis persuades the Peers to stand as his securities until dawn. Maugis eats dinner at Charles’ table with a hearty appetite. Charles is too nervous to eat. At midnight, Maugis puts a spell on his guards, Charles, and the Paladins, breaks his chains, steals the royal crown and the swords of the Peers, awakens Charles to mock him, and flees to Montauban. An attempt at negotiation breaks down, even though Charles’ Peers are thoroughly sick of the war, and Roland, Ogier and Naimes actually go to Montauban and are received hospitably by Renaud. Charles continues the siege, and one night Maugis slips into Charles’ camp, puts him to sleep, and carries him off to Montauban, whence he (Maugis) departs in pilgrim’s clothes. He finds an abandoned hermitage near the Dordogne, where hs takes up residence.

[The poem changes from assonance to rhyme as Maugis is leaving]

In the morning, Richard wishes to hang Charles, but Renaud wishes to make peace, and lets Charles go. Charles, however, will not make peace until Maugis is dead and does not believe that Renaud has no idea where he is. Nonetheless, Renaud lets him go, and he resumes the siege, which lasts until the Four Sons are on the verge of starvation. They eat all the horses except Baiard. Aymon obtains permission to oversee Charles’ catapults and begins throwing his sons food. Charles finds out, puts a stop to it, and the Four Sons, Baiard, Yon, Clarice, Yonnet and Aymonet are soon the only ones left alive. Renaud cannot bring himself to kill Baiard, but he is obliged to bleed him. At last they flee by a secret passage and make their way to Dortmund, across the Rhine. The bells ring by themselves at Renaud’s arrival.

Charlemagne has taken Montauban, meanwhile, and is furious to find he has been tricked. He is implacable, and follows them to Dortmund to begin a third siege. Renaud offers to surrender, but Charles demands Maugis, who is not there. Maugis is at his hermitage, but worries about his cousins and goes to succor them at Montauban. Learning his error, he comes to Tremoigne. He passes through Charlemagne’s camp disguised as a pilgrim, and enters the city. The next day, Alard captures Charlemagne’s baron Richard of Normandy in battle. That night, Maugis goes to Charlemagne’s camp and captures his son Charlot by magic. He leaves him in Tremoigne and then departs for the Holy Land. Renaud prepares to hang the captives, whereupon Charlemagne is forced by his barons to agree to peace. Baiard will be surrendered to him, Renaud and Maugis will go on pilgrimage, and the other three brothers will be honored at court. Yon retires to a monastery, where he dies. Charlemagne throws Baiard into the Rhine, but the horse breaks its bonds, swims to safety, and flees. He will eventually find Maugis in Valfondee. Renaud leaves his sons in the care of Ogier, Tremoigne in the hands of Clarisse, and Montauban to his brethren, and departs.

He meets up with Maugis in Acre [Baiard is specifically stated to be absent.]. Maugis and Renaud help Geoffrey of Nazareth repel the Sultan of Persia, who is invading Jerusalem. They turn down the offer of the throne and return home. Maugis retires to a hermitage in the wilderness, and Renaud goes to court, where he learns that Clarisse is dead. Aymonet and Yonnet fight a duel against the sons of Foulques of Morillon, and win. Renaud’s brothers return to Montauban, and Renaud wanders for a time in the forest, occasionally staying at a monastery, until he comes to Cologne, where he offers his services to the masons who are building the Church of Saint Peter. Renaud lifts a stone which four other men cannot carry, does more work than ten other men can do, and only accepts enough wages as will buy him bread to eat and straw to sleep on. This goes on for some time, until the other masons, growing jealous, kill him and throw his body into the Rhine. But all the fish of the river hold the body up, and at nightfall torches appear around it and angels begin to sing. The murderers confess and are pardoned, and the archbishop goes to fetch the body, brings it into Saint Peter’s, and sings Mass over it. After the Mass, Renaud’s body is miraculously carried out of the church and into a cart, which travels of its own accord from Cologne to Tremoigne, where the bells sound on their own. His brothers arrive and weep over his body. God works many miracles at his tomb [they are not specified].

The Legend of Renaud of Montauban 1 – Overview

The legend of Renaud of Montalban, or Renard, or Rinaldo, is to be found in the following versions:

Renaud de Montauban, also called Les Quatre Fils Aymon. A French chanson de geste in assonanced and rhymed alexandrines. Eleven manuscripts, all different. There are at least two redactions of every part of the poem, but the manuscripts switch from one redaction to the other with gay abandon, and no two MSS parallel each other’s switches exactly.

The completely rhymed redaction of the Quatre Fils, which vastly expands the adventures of Renaud in the Holy Land.

A mise en prose, made for the Burgundian court. Not printed.

David Aubert’s abridgement of the foregoing in his Conquests of Charlemagne.

The French mise en prose of the original Renaud de Montauban.

The chapbooks and the Bibliotheque Bleue, innumerable editions, each faithfully copying the omissions and errors of its predecessors and adding new ones of its own.

The Count de Tressan’s version in the Bibliotheque Universelle des Romans.

Buch der vier süne Aimonts. German prose, from the 1521 French prose. Survives in the Aarau manuscript, and a printed edition by Jheronimus zu Simmern of 1533. Neither achieved any popularity, and the standard German version is from the Dutch.

William Caxton’s The Right Pleasant and Goodly History of the Four Sons of Aymon, from the French prose.

Renout van Montalbaen, a Dutch verse adaptation. 1200’s. Only fragments survive. Editions:
Renout van Montalbaen, met inleidning en aanteekeningen door Dr. J. C. Matthes, Groningen, Wolters (Bibliotheek van middelnederlandsche letterkunde, 15), 1875. This one has six of the fragments.
Roethe, G., “Günser Bruchstück des mnl. Renout von Montalbaen”Zeitschrift für deutsches Altertum und deutsche Litteratur, 48, 1906. This one has a seventh fragment.

Vita Sancti Reinoldi Rythmice. A Latin saint’s life in verse, printed by Joseph Floss in Annalen des historischen Vereins für den Niederrhein, inbesondere das alte Erzdiöcese Köln, Volume 30, 1876, pages 185-203. Clearly from the Dutch, as evidenced by the names of the brethern, their mother’s being the sister of Charles, Clarice being Yon’s daughter, and Renaud’s slaying of three sultans in the Holy Land.

De Historie van den vier Heemskindern. Dutch prose adaptation, 1508. This is the ancestor of the Dutch chapbooks. Edition: De Historie van den vier Heemskindern editor G. S. Overdiep, 1931, available for free online from the Digitale Bibliotheek voor de Nederlandse Letteren. A beautiful edition.

In 1619 a censored edition, expunging passages considered contrary to morals and the Catholic faith, received the imprimatur, and became the standard version in the Catholic Low Countries. The Protestants continued to print the old version. The censored version was used in Dutch schools well into the twentieth century, and thus escaped the corruptions of the popular French versions.

Die vier Heymons Kinder. German prose adaptiation of 1604. The standard German edition and ancestor of the German chapbooks.

Reinolt von Montelban oder die Heimonskinder. Middle High German verse, 1450. Two manuscripts survive, complete. Edition: Reinolt von Montelban oder die Heimonskinder, edited by Fridrich Pfaff, 1885, Volume 174 of the Bibliothek des Litterarischen Vereins in Stuttgart.

Histôrie van Sent Reinolt. Short prose adaptation of the Dutch poem and other sources into Colgone-dialect German, c. 1450. Edited by Al. Reiffersheid. Zeitschrift für deutsches Philologie. Volume 5, 1874, pp. 271-293.

A hypothetical lost Italian poem, perhaps Franco-Italian.

I Cantari di Rinaldo da Monte Albano, Palatine ms. An Italian poem in ottava rima, probably based on a lost franco-italian poem. The war against the famous Mambrino is added between the sieges of Montalban and Tremoigne.

El Inamoramento de Rinaldo da Monte Albano. The aforesaid Cantari, with the story of Fierabras interpolated, a prologue dealing with the feud of Aymon and Ginamo of Baiona added, and many episodes lengthened. Also printed under the title of Rinaldo Innamorato.

Rinaldo, by Torquato Tasso. In ottava rima. Translated into English couplets by John Hoole.

Another version of the Cantari di Rinaldo, only printed once, in ottava rima, makes Rinaldo visit the Sultan before offering his services to the Almostante of Persia.

Storie di Rinaldo. The same reduced to prose, possibly by Andrea da Barberino. No modern edition.

Magus saga Jarls. An Icelandic saga, in two redactions.

Vita Sancti Reinoldis Monachis et Martyris, a Latin saint’s life, printed by the Bollandists in the Acta Sanctorum, January Volume 1, pages 385-387.

The Spanish prose Reinaldos de Montalban, the form in which Rinaldo was known to Cervantes and Don Quixote, is not from the Quatre Fils. This book is a collection of translations of purely literary Italian poems. Books I and II are from the Innamoramento di Carlo Magno. Book III of La Trabesonda, and Book IV of Baldo, all of which will be treated of later on.

The Spanish Charlemagne Ballads, 15: Ballads not in Duran

Spain is home to a large number of beautiful ballads, called romances. Some of these ballads are about lovers. Many are about the Moors who ruled Spain for so many long centuries. There are a large number about the famous Cid who fought the Moors. There is also a large cycle about the Paladins of France, and about Bernardo del Carpio, who, the Spaniards say, killed the mighty Roland in the battle of Roncesvalles. While there are several collections of English translations of the Spanish ballads, scholars and translators tend to focus on the Moorish and love ballads. It is difficult to find any complete account of this branch of the Carolingian legend, which is why I decided to write a summary of every Spanish ballad related to Charlemagne. I quickly discovered that this is an impossible task. The folk tradition is still alive and well, not only in Iberia, but in every land to which the Spanish Jews moved after being exiled by Ferdinand and Isabella. New variants are constantly being recorded, and no Professor Child has yet arisen to make a complete collection of the folksongs and to standardize the titles by which they are known.
The closest thing to a definitive collection of Spanish ballads that currently exists is the Romancero General of Agustin Duran, published in 1877, which includes every ballad printed prior to the 1800’s. This means it does not include any folksongs from the Spain of his day, or, naturally, from later. These folksongs sometimes contain very interesting variants from the printed texts. Many of these later folksongs can be found at the Pan-Hispanic Ballad Project and Folk Literature of the Sephardic Jews, two confusingly arranged messes of websites which I leave it to you to sift through if you’re left wanting more.

FLORESVENTO
Based on Floovant, via the Italian Fioravante. Floresvento burns seven cities, and deflowers seven high-born maidens on Christmas Eve. His father wishes to execute him. His mother succeeds in having the sentence commuted to banishment. His father forbids anyone to sell him food. The ballad ends with verses from some version of Duran’s 298 and 299 [Our Goodman/Claralinda/Wife caught in Adultery]. Floresvento discovers his wife Branca’s two lovers hiding in her bedroom; she asks him to kill her then and there. He refuses.

CELINOS AND THE ADULTERESS, or, CELINOS GOES HUNTING
Based on the beginning of Bevis of Hampton, The Queen combs her hair before a mirror, praises God for making her so beautiful, and curses her parents for making her marry an old man. As she looks out the window, she sees Carleto, her lover. They plan to kill the king. He tells her to pretend to be pregnant and to have a craving for a stag/pig/ram/goat that lives in a certain part of the woods. She does so, and he orders his men to prepare for the hunt. She tries to convince him to go alone, but he will have none of it. He meets Carleto, and one of them kills the other. In a few versions, the king dies,  but usually he wins and sticks Carleto’s head on a lance, which he presents to the queen. She confesses that most of her children are Carleto’s, and threatens that his relatives will avenge him. The king cuts her head off, and sticks it besides her lover’s.

THE SISTERS, QUEEN AND SLAVE
The Moorish Queen Xerifa of Almeria sends her men on a slave raid into France, to fetch her a serving maid of high birth. They kill Count Flores, capture his wife, and make her a kitchen maid. The queen and maid give birth on the same day, the queen to a girl and the maid to a boy. The midwives [by accident in some versions, for a bribe in others] switch the babies. On day, the queen hears the maid singing to “her” daughter, “If you were my daughter, I would call thee Marguerete/Flor de los Flores/Blancaflor, which was my sister’s name. She was kidnapped by the Moors.” The queen asks her to describe her sister. Thanks to a birthmark, the two women realize they are sisters, and flee home to France.

This ballad probably is not related to Floris and Blanchefleur, but I include it here in case the names are more than a coincidence.

GALIANA
Based on Mainet. A Moorish King accuses Galiana of loving Carolicho [Charlemagne], and threatens to cut his head off and make her look at it at every meal. Carolicho arrives, disguised as a charcoal maker, and bids his lady escape with him.

ROLDAN AL PIE DE LA TORRE
Rondale paces in a light rain, with a gold falcon on his wrist, crying “Who will aid me?” He intends to kill the King of France and his men, and marry his daughter. He comes to the castle of Count Argile [Ogier], a lord of great strength.

I will not swear that they are related, but it is at least interesting that in some manuscripts of the Quatre Filz Aymon, Roland, disgusted with his uncle’s single-minded pursuit of Renaldo and Malagise, threatens to leave him, and says “Ogier, what will you do? Will you come with me? Let us leave this foolish old dotard.”

GUERINOS Y FLORIPAS
Based on Fierabras. Guarinos is held captive by Moors in dungeon. The Princess Floripas hears him weeping, asks why, consoles him, and promises to set him free and wed him the next day. It is done.
Guarinos’ part is filled by Guy of Burgundy in most versions of the story.

Notes to the Fifth Canto, Part 3

The Orlando Innamorato in English translation, Book I, Canto V, Stanzas 41-60 Notes

50. Guizard. One of Rinaldo’s brothers.
Alard. Another brother.
Ivon. The brother of Rinaldo’s wife Clarice, and lord of Gascony.
51. Lanfusa. Malagise’s mother, wife of Buovo, or Bevis, of Agremont.
52. Mongrana’s house. Another name for the house of Clairmont, to which Orlando, Rinaldo, Astolfo, and Malagise belong. [their fathers, Milo, Aymon, Otto, and Buovo, are four brothers].
53. Suicide is a mortal sin, and Rinaldo will go to Hell if he commits it deliberately while of sound mind.

Notes to the Second Canto, Part 3

The Orlando Innamorato in English translation, Book I, Canto II, Part 1, Stanzas 41-60, Notes

43. Chevron. A broad, inverted, V-shape on a shield.
Argent. Literally silver. The heraldic term for white.
Azure. The heraldic term for blue.
Plain. Properly called the field, changed here for sake of rhyme.
Basilisk. A mythical snake, about a foot long, with a white crown-shaped spot on its head, whence its name (Greek for “Little king”). Allegedly so poisonous that the mere look of it eye could kill a man, and that stabbing it with a lance would be fatal to the knight, as the venom traveled through the wood. However, it could be killed by weasels, or by the crowing of a rooster, or by seeing itself in a mirror. Frequently confused with the cockatrice, which is a monster with similar powers and weaknesses, but looks like a rooster with dragons’ wings and a snake’s tail. The creatures were allegedly spawned from chicken’s eggs either laid by roosters, or hatched by toads.
46. Isolieri. Traditional minor character.
47. Gualtiero of Monleon. Or Walter of Montleon. A Christian, and traditional minor character. May or may not be the same as the Walter Hum of the Song of Roland.
48. Spinella of Altamone.
Matalista. No more is known of him than what is given here.
Fiordespina. Will feature much later in the poem.
49. Grandonio. Traditional minor character. Appears in the Song of Roland as Grandonie, where he is killed by Orlando at Roncesvalles.
50. Images of Mahomet are, of course, forbidden by the Koran. Though the prohibition was not always as strictly enforced as it is today, it is doubtful any Saracen ever bore a picture of the camel-driver on his shield.
51. Macario and Grifone. These names are given to Maganzans and other Carolingian villains so frequently that it is impossible to tell which are meant to be the same characters. One Grifone is father of Ganelon. Another Grifone is son of Olivier, and twin brother of Aquilante.
According to two romances, the French La Reine Sibille and the Italian Macaire, Macaire kills a man by treason, and is later killed by the dead man’s faithful dog in a trial by combat. The legend was later transferred to the reign of Charles V. The later version goes by the name of “The Dog of Montargis”, and can be found in Andrew Lang’s The Animal Story Book.
Ranier and Falcone. Very minor traditional characters.
Pinabello. This is the Pinabel who is killed in trial by combat at the end of the Song of Roland. Ariosto, who did not know the Song, kills Pinabello off in the Furioso, well before Roncesvalles.
56. Guido of Borgogna. Traditional minor character.
57. Avin, Avolio, Ottone, and Berlengier. The four sons of Duke Naimo of Bavaria. They are mere names, and always mentioned together. They seem to be derived from the Song of Roland’s Yvon, Yvor, Otho, and Berengier, who are not related to each other, but are merely four of the Twelve Peers, and who all die at Roncesvalles.
58. Ugo of Marseilles. Boiardo’s invention.
Ricciardetto and Alardo. Two brothers of Rinaldo, and with him and Guicciardo, the Four Sons of Aymon. Their sister is Bradamante. Ricciardetto is also known as Richard [Ricardo]. Since he is the youngest brother, he was known as “Little Richard” or “Richardet”. Some commentators on the Carolingian legend wrongly call Ricardo and Ricciardetto two separate characters.
Olivier. Oliver of Vienne [a town in France, not Vienna, Austria], boon companion of Orlando, and brother of Alda, Orlando’s betrothed. His kinship varies from romance to romance, but he is usually a distant cousin of Orlando. The story of how he and Orlando became friends can be found in Girart of Vienne, in Heroes of the French Epic, translated by Michael Newth.
62. My son. Figuratively speaking.
63. Muslims are, of course, forbidden to drink wine. Cards are an anachronism; they were invented in China in the ninth century, but did not reach Europe until the fourteenth.
68. Galleys. The galleys of Greece and Rome were manned by freemen. The practice of condemning criminals to row ships was begun in Christian countries (mostly France) in the mid 1500’s, and somewhat sooner in Islam. The practice began to die out in the late 1700’s, in Christendom first, and in Islam only with the conquest of the Barbary Corsairs by France.
Giant. Grandonio. He is only seven feet or so. It should be noted that a giant’s intelligence usually bears an inverse relation to his height. Charlemagne, Ferragu, and Grandonio are almost ordinary (as knights go). The eighteen foot Margutte is a clever rogue, the twenty-four foot Morgante is honest and loyal, but rather simple, and the thirty foot giants who form Angelica’s retinue are never clearly shown to be sentient.

On to Canto III

Back to Part 3