Book I, Canto IX, Part 4

The Orlando Innamorato in English translation, Book I, Canto IX, Stanzas 61-79

61
To Sacripant he answers thus, “My lord,
Before thou dost acquire this damosel,
Thou art obliged to settle one more score;
If from thy horse’s back I can thee fell,
Then I shall make thee leave without a horse.
If thou canst throw me, treat me just as well,
And take my gallant steed away from me.
Then let thine other challenge settled be.”

62
King Sacripante says, “O God Mahound,
What blessings on thy servant dost thou pour!
I sought a horse and armor, and I’ve found
A lovely creature whom I’ll prize far more.
And I shall conquer, with a single bound,
The lady, and the armor, and the horse!
This said, away from Duke Astolf he paced,
Then turned and said to him, “Go, take thy place.”

63
And now towards each other, raged, they rushed,
Lances aimed squarely at their chests they sped.
To overcome the other each one trusts.
They near; they strike; they make a clamor dread –
But Sacripante from his steed is thrust.
Against the grassy lawn he knocks his head.
Astolfo leaves him lying on the field.
To Brandimart the conquered horse he yields.

64
“Hast thou heard ever such a merry tale,”
Astolfo says, “as of that cavalier,
Who thought he could unseat me without fail,
And now must go on foot away from here?”
Thus they go talking on their way, until
The damsel says, “My lords, we’re drawing near
The River of Forgetfulness. Take heed;
Caution and counsel all of us will need.

65
If all of us do not act prudently,
Before nightfall we will be lost forever.
Courage and arms of no avail will be,
For not three miles off there flows a river
Which robs the drinker of his memory.
His very name is from his mind dissevered.
In fact, I think it would be best to find
The way we came, and leave this road behind,

66
Because the curséd river can’t be crossed.
On either bank of it tall mountains rise.
From one to th’other side a bridge is tossed,
Which the two giant rocks together ties.
Atop a turret there, come sun or frost,
A lady stands and waits for passers-by,
And from a shining crystal goblet, offers
All travellers to drink the river waters.

67
When he has drunk, gone is his memory,
His very name he can recall no more;
But if a man trust so his strength, that he
Tries to resist her and to cross by force,
Impossible would be his victory,
For all her captive knights and men of war
Are so enchanted that they all will fight
Madly and blindly for that lady bright.

68
With words like these the lady maketh clear
Their risk, and urgeth them their road to change.
Neither knight, though, felt a trace of fear.
It is for quests like these the world they range.
The time appears to them a thousand years
Before they come to this adventure strange.
Until the early morning, on they ride.
The bridge across the river they espied.

69
The damsel, as she’s often done before
Steps on the bridge to greet them when they come.
Sweetly she spoke; a lovely look she wore,
And offered them the chalice, every one.
“Ah!” cries Astolfo, “Stop, thou lying whore!
Thy wicked magic arts today are done.
Now shalt thou die! And think thou not to flee,
Or fool us; we know all thy trickery.”

70
The damsel, when she hears his threat’nings dire
Lets fall the crystal goblet from her hand.
At once the narrow bridge is swathed in fire.
It seems that none can pass the blazes grand.
The other damsel, fearing not the pyre,
Grabs the two cavaliers with either hand.
The dame, I mean to say, of Brandimart,
Who’s wise to conquer this malicious art.

71
She grabs the hands of either valiant knight,
And swiftly as they can, the threesome go
Along a hidden path just on their right,
And they pass over the enchanted flow
Upon a narrow bridge, just hid from sight
So that no travellers this secret know.
But the new damsel, who knew all about
The ill enchantments, found this passage out.

72.
Don Brandimarte batters down the door,
And the false garden all three enter in.
Here of enchanted knights are half a scoe,
Here prisoned is Orlando Paladin,
And King Ballano, master of the war,
And Chiarïone, the brave Saracen.
Here is the real Uberto dal Leone,
The brothers Aquilante and Grifone,

73
With Adrïano, the redoubted king,
The Belarussian worthy, Antifor.
None know each other; none know anything.
They don’t remember who they were before,
If Jesus or Mahomet is their king.
All have been snared by necromantic lore.
All have been captured by that lying dame.
Dragontina is the lady’s name.

74
When Brandimarte and Astolfo enter,
They start an uproar, for bold Chiarïon
And King Ballano meet them as defenders,
Both clad in mail that’s Dragontina’s own.
The other knights stroll through the garden’s center,
If once they knew each other, now unknown;
All, save the count, are in the garden bright;
Orlando views the logia for delight.

75
In all his armor was the cavalier,
For he had only been ensnared that morn,
And Brigliadoro, his renowned destrier,
Is tied amidst the roses and the thorns.
Of any other thoughts his mind is clear,
And lo! where Dragontina comes before him,
And sweetly asks him, “Knight, wilt thou go see
What all that racket is, for love of me?”

76
Without another thought, the baron grand
Leaps to the saddle, drops his visor down,
Goes to the scuffle with his sword in hand.
Brandimart’s knocked Don Chiarïon to ground,
Astolf stretched King Ballano on the land;
On foot and horse there’s fighting all around.
But when Orlando entered in the fray
Astolfo recognized him by his blade,

77
And cried aloud, “O bravest knight and best,
Of ev’ry paladin the crown and flower!
May God in Heaven be forever blest!
Dost thou not know thy cousin? With much stour
Through all the world I’ve gone of thee in quest.
Who has betrayed thee to this curséd  bower?”
The Count Orlando hears no word of this.
He has forgotten who Astolfo is.

78
Without a thought, and with ungoverned rage,
With both his hands he swings a mighty blow,
Which, if Baiardo hadn’t been so sage,
Or if that steed had been a tad more slow,
Would have dispatched Astolfo from life’s stage,
Which would have caused Orlando mickle woe.
High was the wall that ringed the garden round,
But Baiard leapt it with a single bound.

79
Through the gate, ‘cross the bridge, Orlando chases.
He wants to utterly destroy his foe.
Although his Brigliadoro swiftly races,
Compared with Baiard, ev’ry horse is slow,
And Brigliador he easily outpaces.
But I have sung enough for now, I trow.
Next time, my lords, you’ll hear, if you come back,
How Duke Astolfo dealt with this attack.

Book I, Canto IX, Part 3

The Orlando Innamorato in English translation, Book I, Canto IX, Stanzas 41-60

41
The fair Angelica he loved above
All other things, although she loved him not;
But this the mighty peril is of love,
That unrequited love burns still more hot.
But not to make too long a story of
The matter, Sacripante now had got
His troops together, all things as they ought,
When Don Astolfo was before him brought.

42
Because that worthy monarch had decreed,
That ev’ry sentinel and ev’ry guard
Must stop all passers-by, whate’er their creed,
Or age or country, be they churl or lord,
To bring before His Majesty with speed;
The king would try to bring them to accord
To join his army, if he would agree,
But if he didn’t, then he should go free.

43
Astolfo enters, riding on Baiard,
A sight for Sacripante to behold,
Whoever saw him held him in regard,
He seemed to be the flower of the bold.
For coat of arms, he did not bear his pards,
But shield and surcoat both were solid gold,
And so the guard who’d met him in the field
Called him the Knight Who Bore the Golden Shield.

44
“O valiant knight,” quoth Sacripante then,
“What wilt thou take to be my man in fee?”
Astolfo answers him, “All of thy men
Who in the camp here serve thy crown and thee.
Upon no other terms will I come in.
Thus must thou take me, or must  let me free.
No offer short of this can make me stay;
I know how to command, not to obey.

45
“If th’art uncertain I should be so dight,
Or if thou thinkest that my wits I lack,
I’ll show thee such an honor is but right.
Let me left hand be tied behind my back,
And against all thine army I will fight,
From thee down to the man who tends thy hack.
But talk is cheap, and urgent matters press.
Come on right now and put me to the test.”

46
The king talks to his lords and asks them whether,
Since this knight clearly has no more possession
Of sense than if he had webbed feet and feathers,
And since it were an easy task to lessen
His malady, or cure it all together,
If they were willing to teach him a lesson.
His barons answered him, “Just let him be.
If we’re wroth with a fool, then fools are we.”

47
And thus the bold Astolfo is dismissed,
And travels on without a trace of fear.
But the Circassian monarch sorely missed
His golden arms, and Baiard his destrier,
And in his spirit he resolves on this:
To all alone pursue the cavalier.
He thinks it will require little force
To lift Astolfo’s armor and his horse.

48
He dons his helmet but lays by his crown,
To make sure no one recognizes him.
His wonted shield he swaps for one all brown.
This worthy king was strong and large of limb,
And for his comeliness was much renowned.
In war he fought with bravery and vim.
As you yourselves shall see, when I relate
His wondrous feats before Albracca’s gates.

49
He follows Don Astolfo, as I’ve shown,
Who was a ways ahead of him and rode
Devoid of care, and ambled on alone
Till he encountered, coming down the road
A Saracen, the finest ever known
In all the lands by rolling seas enclosed.
I’ll tell of his great exploits in the war
Against Albrac, of which I spoke before.

50
This noble Saracen hight Brandimart,
A count, and Sylvan Rock was his domain.
In all of Pagandom, in ev’ry part,
Was known his noble and illustrious fame.
Of tournaments and joust he knew the art,
But above all, his person was humane
And courteous. He gave each man his due,
And was a courtly lover and a true.

51
A damsel rode with him, of beauty rare,
And when Astolfo sees this lady bright,
Who was so highly born and wondrous fair,
Her beauty fills him with desire to fight.
When Don Astolfo sees them riding there,
At once he gives a challenge to the knight.
He cries out, “Thou must joust with me anon,
Or hand the lady over and begone.”

52
Quoth Brandimarte, “By Mahound I swear
Sooner than her, my life will I forsake.
But, worthy champion, thou must be aware,
Since thou no lady hast for me to take,
If I defeat thee, thou on foot shalt fare;
Thy gallant destrier, I mine own shall make.
This is no villainy I have in mind;
Thou hast no lady and thou wouldst claim mine.”

53
That Pagan baron rode a stout destrier,
Whose stock and spirit were among the best.
Now turn and draw apart the cavaliers,
And now they charge each other, lance in rest.
Hooves thund’ring, armor clanging, they draw near,
And squarely strike each other on the chest.
Don Brandimarte from his seat was sped,
While the two steeds collided head to head.

54
That of the Pagan, lifeless, earthward falls.
Baiard takes not the slightest hurt from it,
Which does not trouble Brandimart at all:
But losing of his lady delicate
Makes him nigh crazy, he is so appalled,
With such great love for her his heart was lit.
He’s lost all of his good; his joys depart;
He draws his sword to thrust it through his heart.

55
Astolf by this action understands
That of despair the knight is in the throes.
Immediately from Baiard he descends.
To comfort him, with words like these he goes:
“Dost thou believe I’m such a churlish man
To rive thee from the dame thou lovest so?
I only joust for victory and fame;
Mine be the honors, and be thine the dame.”

56
The standing knight receives this comfort sweet,
Who just a moment prior sought to die.
And now, o’erwhelmed by joyfulness he weeps,
And cannot speak a sole word in reply.
He kneels and kisses Duke Astolfo’s feet,
And midst his sobs chokes out, “O sire, I
Have lost all pride, for thou hast vanquished me
At once in battle and in courtesy.

57
“My fame and honor all I’d gladly yield
And bear all shame to raise thine honor higher.
Thou hast preserved my life upon this field;
To lay it down for thee is my desire.
I cannot show the gratitude I feel;
I am not strong enough to be thy squire,
And thou in ev’rything art so complete,
Of ev’ry other service thou’st no need.”

58
But while in conversation they were ranged,
King Sacripante through the forest pressed;
And when upon the lovely maid he came,
Resolved at once to leave his former quest
And conquer for his own the fair young dame.
And himself he thinks, “Ah, how I’m blest!
I came here seeking for a horse and arms;
Now a far better thing will fill my arms.”

59
With a loud voice, the pagan monarch cried
“Whichever of you guards this lady bright,
Hand over her at once, and from hence ride,
Or otherwise against me must thou fight.”
To which the noble Brandimart replied,
“Thou art a highwayman, and not a knight.
Thou clearly seest that I have no horse,
And thou wouldst challenge me to run a course.”

60
Before the Duke Astolf his knees he bends,
Imploring, asking if his pleasure is
To lend him Baiard, that he might defend
His honor. Duke Astolfo laughs at this
And says, “My horse on no account I’ll lend,
So I will simply have to give thee his.
Purely for love of thee I’m thus inclined.
Thine be the steed, and be the honor mine.”

Book I, Canto IX, Part 2

The Orlando Innamorato in English translation, Book I, Canto IX, Stanzas 21-40

21
She ceased her talk, descended to the ground,
Where the beast lurked, prepared for fresh attacks,
And there the knotted cord the dame unwound,
And from its pan she threw the cake of wax.
The monster snatched it in its jaws, but found
Its teeth stuck fast, and it began to wax
Exceeding wroth, and snorted, shook, and leapt,
And straightway got entangled in the net.

22
The damsel left it in its hempen prison,
And flew away as swiftly as she’d come.
By that time was the lovely star arisen
Which mounts up in the East before the sun.
The growing light brought to Rinaldo’s vision
The beast, whose jaws were sealed and who had run
Smack-dab into a mazy web of knots.
It could not move a hands-breadth from its spot.

23
Immediately he leaps down to the ground,
Where the ferocious freak of nature lies
And bellows so that all the folk around,
Despite their wall, with fear are paralyzed.
Rinaldo quickly his Fusberta found,
And to assault the monster great he tried.
But such thick skin possessed the beast accurst,
It seemed Fusberta would be broken first.

24
Rinaldo searches for its weakest place.
He strikes the right side now, and now the left,
And now he stabs its legs, and now its face,
But still the monster’s skin he hasn’t cleft.
Fusbert can split a rock or iron mace,
But of incisions is the beast bereft.
But bold Rinaldo isn’t took aback.
At once he switches to another tack.

25
To leap upon the monster’s back he rushed,
And threw his arms around its ugly throat,
His knees into the monster’s flanks he pushed.
This is the wildest steed he ever rode!
The baron’s visage crimson red was flushed.
All of his power in this fight he showed,
More strength than he had ever used before,
Till the abomination breathed no more.

26
After he beast’s completely suffocated,
Rinaldo starts to ponder how to fly.
The field was circumscribed (as I have stated)
By an enormous wall both thick and high.
There was one window only, which was grated
With latticed iron work. Rinaldo tries
To slice it open with Fusberta, but
The grate’s too thick and strong for him to cut.

27
Rinaldo realizes at this pass
He’s still a pris’ner in this castle vile.
The folk won’t life him o’er the wall, alas!
And with starvation he must reconcile.
He searches all around, till on the grass
He finds, just lying there, a massive file.
Angelica had left it on the sod.
The baron thinks it must have come from God.

28
The magic file swiftly cuts the bars.
The knight’s about to make his getaway.
From the bright heaven disappear the stars,
As rosy-fingered dawn leads forth the day.
But lo! a giant strolling by, who mars
Rinaldo’s plans not in the slightest way.
For when he sees the knight, he gives a yelp,
And turns, and runs away, and shouts, “Help! Help!”

29
Rinaldo’s sawed completely through the grate,
And from the window he removes the bars,
But the scared outcries of the giant great
Have summon all the wicked folk to arms.
Rinaldo issues from the window straight.
He has Fusberta drawn. He must look sharp,
For ‘gainst him come the people of the castle,
More than six hundred armed and angry vassals.

30
The worthy baron doesn’t care at all;
Were they six times their strength, he’d face them yet.
Leading the rabble is a giant tall,
Who tries to snare Rinaldo in a net.
That false poltroon, whose virtues are but small,
Rinaldo dodges, and he does not fret,
But strikes the giant just below the knee,
Without his legs upon the earth fell he.

31
He left him there; against the rest he sped.
Death and destruction with Fusbert he rained,
And soon he stood alone; the rest were fled.
Not one of all the Saracens remained.
Some left their arms behind, and some their heads.
The courtyard now is even more blood-stained.
The old hag in the keep is barricaded.
With her last soldiers for Rinald she waited.

32
The other giant in the room there stood.
Rinald arrives and doesn’t gape or gawk,
But strikes the door and batters through the wood
Until the door is off its hinges knocked.
The mighty giant in confusion stood,
In terror and embarrassment and shock.
Although he armored is from head to toe,
Not till the door is open does he go

33
Leaping out, brings his club down with a roar;
On Don Rinaldo’s head his great blow fell.
Rinaldo merely laughed at him and swore
“I do thee honor, wretched infidel.
To take thy death from Montalbano’s lord –
Thou wilt be honored for it, down in Hell,
Where thou wilt shortly meet, I dare assert, a
Mighty host I’ve sent there with Fusberta.”

34
The worthy cavalier’s discourse is brief.
He strikes a mighty blow and does not flag
Till he has cleft the giant to the teeth.
The others flee; Rinaldo does not lag,
But hunts and slays them all, with no relief.
But the black-hearted, unrepentant hag
Is standing on a narrow balcony,
And leaps down when the cavalier she sees.

35
The balcony rose up a hundred feet.
You may be well assured the hag is dead.
When Don Rinaldo saw that mighty leap,
“Go to the Devil with thy men!” he said.
The blood upon the chamber floor was deep;
But Don Rinaldo, sword in hand, still sped
In hot pursuit, but, not to tell it all,
He left no soul alive within the walls.

36
And then he left and walked back to the sea.
He did not trust the magic bark; instead
Traipsing along the coastline traveled he,
Until he met a lady fair, who said,
“Alas! Ah, woeful wight! Ah, misery!
My life is dreary, would that I were dead!”
But Turpin speaks no more about her here,
And turns to Don Astolfo, England’s peer.

37
Astolfo had departed lovely France;
Upon the good Baiardo travels he.
In gilded armor, with the golden lance.
Alone he journeys, without company.
He passes through the region of Mayence,
And through great Germany, fair Hungary,
The Danube, Transylvania he’s gone,
And through White Russia till he saw the Don.

38
Reaching this place, to the right hand he swings,
And into mountainous Circasse he’s come.
All of that territory’s bustling.
He sees the folk in armor, every one,
For Sacripante, the Circassian king
A mighty war had recently begun
With Agricane, king of Tartary.
Both of the lords were full of chivalry.

39
The war did not begin for reasons of
A recent insult, nor for ancient hate,
Nor for one king another king to shove
Off of his throne, or to extend the state,
But all these men were armed to fight for Love.
For Agricane wanted as his mate
Angelica, and with her he would wed.
She answered him, she’d rather she were dead.

40
She sent out messengers through ev’ry land,
Both near and far, to palaces and tents,
To knights most lowly and to knights most grand,
Inviting one and all to her defense.
And so a myriad, uncounted band
To save the lady, ready their offense.
But Sacripante’s first of all the throng,
Because this worthy king has loved her long.

Book I, Canto IX, Part 1

The Orlando Innamorato in English translation, Book I, Canto IX, Stanzas 1-20

ARGUMENT

Angelica by Don Rinald is spurned,
Though she arrives to save her by her arts.
He slays the beast, and then he sorely yearns
To raze the castle. Duke Astolfo starts
His quest, by Sacripant away is turned,
And meets the noble heathen Brandimart.
Orlando in the magic bower he sees,
But they two fight, and Duke Astolfo flees.

1
You’ve heard already of the shape miswrought
The horrible and wasted monster bore,
Which had for long against Rinaldo fought,
And how Fusberta from his hand it tore.
And we shall leave him here, unhelped, distraught,
For now another matter needs me more.
Now of a lady who with love doth burn
I sing, then to Rinaldo I’ll return.

2
Me gracious lords, most humble I request
Ye to recall Angelica the bright.
How she met Malagise on a quest
And watches for his coming day and night.
Now as she waits, her spirit is oppressed.
As all may guess who’ve waited for delight,
And one’s who’s waited for a lover knows
All other waiting seems a pleasant rose.

3
She stands for hours gazing at the sea,
And then for hours looking o’er the land.
And if a ship the poor girl chanced to see,
Or any speck, as she th’horizon scanned,
She whispers to herself that certainly
The gallant Don Rinaldo was at hand.
And when a beast or cart came down the road,
She thought the lord of Montalban there rode.

4
Behold! When Malagise there appeared,
(But no Rinaldo stood there by his side)
Haggard and pale, with a disheveled beard.
Upon the earth he fixed his tired eyes;
His clothes were ragged and with grime besmirched.
He looked like one who from a dungeon flies.
The damsel sees him, seeming hard bestead,
“Alas!” she cries out, “My Rinaldo’s dead!”

5
“He isn’t dead. At least he isn’t yet,”
Says Malagise to the damosel,
“But he cannot endure. He’s hard beset,
And will be eaten by a monster fell.
Confound the day and hour that did beget
A soul who dared to thus ‘gainst Love rebel!”
And then in full detail he makes report
How he had lured Rinaldo to that court.

6
And how the folk had sentenced him to die,
And how a quick and painful end he faced.
You need not wonder if the lady’s nigh
To death. Her spirit sinks, so much abased
She cannot move, cannot let out a cry,
But stands with vacant eyes and icy face.
But strength returning just an instant later,
She says to Malagise, “Ah! Thou traitor!

7
“Traitor, cruel, ribald brute, forsworn.
How dost thou dare to tell me such a tale?
When thou hast left thy cousin all forlorn,
So close to death, and hopest he will fail?
But if thou dost not help him, be forewarned,
Thy demons and enchantments won’t avail,
But I shall have thee burnt immediately,
And then I’ll throw thine ashes in the sea.

8
“Make no excuses, thou deceitful cad,
Saying thou’st thought to give me vengeful joy.
Didst thou not know, I would be far more sad
Were he unhappy than if I should die?
The height of beauty and of strength he had,
A vile and a luckless woman I.
And furthermore, I told thee, witless lout,
Thy cousin Rinald I can’t live without.”

9
Quoth Malagis, “If thou dost so much care,
There is a way to help him, even now.
But thou must be the one to help him there,
And do just as I say. I’ll tell thee how.
He, although he is crueler than a bear,
Despite himself, to Love he soon will bow.
Make thyself ready, then, without delay.
He may well die if we an instant stay.”

10
As he is speaking thus, a rope he brings,
Tied into loops about a palm around;
A cake of wax which to his fingers clings;
A magic file which makes ne’er a sound.
He tells the damsel how to use these things.
Angelica a demon black has bound
To serve her, and he flies her through the air
To the Cruel Rock and her beloved there.

11
Now to Rinaldo must I turn my tale,
Who finds himself in woeful plight. Appalled,
It seems Death soon will catch him without fail.
Can swordless knight fight on, or even stall?
He runs away, the monster on his tail,
And lo, before him, halfway up the wall,
A cornice, some ten feet above the ground.
Rinaldo, running, takes a mighty bound,

12
Reaches it, with his hand he grabs the spit,
And pulls his body up with knightly force.
Now perched between the heaven and earth he sits,
And down below, the fearful monster roars.
Although most gross and ponderous is it,
It leapt up, with its savage claws it tore
The air alone; it could not reach the knight.
Rinaldo, nonetheless, is filled with fright.

13
And now the day gave way to darkling night.
Rinaldo, still upon his risky perch,
Knows not what chance or miracle has might
To bring him out of his imperiled lurch,
When he beholds, lit by the moon’s pale light,
(For not a single cloud the sky besmirched)
He knows not what, that through the ether came,
But by its shape, it seemed to be a dame.

14
It was Angelica, who hither raced
To bring deliverance to her cavalier.
But when Rinaldo recognized her face,
To throw himself upon the ground he’s near,
Because for her he had so much distaste
That less repulsive is the monster fierce.
Being devoured seems a lesser grief
That seeing her who’s come to bring relief.

15
She stands before him, hov’ring in the air,
And kneels on nothing, saying, “Cavalier,
One grief above all fills my heart with care:
That by my doing thou art prisoned here.
I must confess, such love for thee I bear,
At times I’m like to lose my wit, I fear.
But never could I do thee injury.
Ah! Couldst thou really think so ill of me?

16
“I but intended to give thee delight,
With joy and pleasure, and with sweet repose,
And so I brought thee to the island bright,
But now I find thee in such perilous throes
And so constrained, in so extreme a plight,
That I am almost slain to see thy woes.
But let all fear be put away from tee,
For I have come, and I can set thee free.

17
“Come, leap into my arms! Oh, be not shy!
And I shall carry thee across the skies,
And thou shalt see the earth below flit by.
Swifter than thought, almost, my whirlwind flies.
Didst thou not ever wish that thou couldst fly?
Thy wish is granted! From thy perch arise.
Come, mount me, worthy knight, and thou mayst find
I am no worse than that Baiard of thine.”

18
The brave Rinaldo was aggrieved full sore,
Whenas her loving words fell on his ear.
He answered thusly: “By Our Blesséd Lord,
I would far sooner meet my death right here,
Than flee this place with thee as my support.
Unless thou instantly dost disappear,
I swear I’ll throw myself down from this spit;
Now stay or leave, whate’er thou thinkest fit.”

19
Believe it well, no greater injury
Than for a loving dame to be rejected.
The man she once adored now hateth she.
Her passions are completely redirected.
But by this deathless animosity,
Angelica is not the least affected.
Her love towards Rinaldo hath such might
That all his injuries to her seem light.

20
She answers him, “I shall obey thy will,
For I lack power to do otherwise.
With my one hand myself I’ll gladly kill,
If I thought at my death you would rejoice.
But most unrightly thou with hate art filled.
I swear, as I have hope of Paradise,
I shall do anything thou dost decree,
Save the impossible: to love not thee.

Book I, Canto VIII, Part 3

The Orlando Innamorato in English translation, Book I, Canto VIII, Stanzas 41-64

41
“Then secretly their flesh with me I took
Into the kitchen, and I made a fire.
I’d been their butcher; now was I their cook.
Ah! What cannot be done by woman’s ire?
I served them to their father, who partook
Of my meat pie with relish and desire.
Ah, cruel sun, how could you bear to shine
And gaze on such a horrid deed as mine?

42
“I left the banquet, no one was aware;
My bloody hands and garments none did see.
Towards Orgagna’s king with haste I fared,
Who for long years had burned with love for me,
And was a kinsman unto Stella fair.
I told him all my woeful history.
I led him and his men in army bright
The death of poor Grifone to requite.

43
“We came too late, though eagerly we sped.
For I no sooner did the castle fly
Than cruel Stella, once the guests were fed,
Came to Marchino, her face lit with joy,
And served him one, and then the other head
Of his two sons, whom I’d baked in a pie.
Grief and horror overwhelm each knight;
Their father most, who knew them at first sight.

44
“Stella stood there with disheveled hair.
Her face distorted, she began to rave,
And cried aloud, ‘Those are thy children there,
Those are their heads, and if thy soul doth crave
To see their tomb, look in thy belly, where
Thou buriedst them. Thou art thy children’s grave.’
Now the false traitor knight is racked with pain.
Love and cruelty fight in his brain.

45
“This outrage fearful and unparalleled
Invites a vengeance cruel beyond all other.
On th’other hand, her flow’ry face impelled
Him to have mercy, for he fiercely loved her.
At last, he plumps for vengeance, but he’s held
Bu one thing: How to best be vengèd of her?
When he thinks of the outrage she’s committed,
It seems no punishment on earth is fitted.

46
“To fetch Grifone’s corpse he sends his men,
Which lies unburied in his dying-place.
He binds that body to the lady then,
Hands against hands, his face against her face.
To such a pleasure doth he her condemn.
Now has there ever been a man so base?
The stench was foul of Grifon’s remains,
To which the lovely lady’s bound with chains.

47
“Orgagna’s king now to the castle came,
And with him I and all his meinie rude.
But when he saw us coming o’er theplain
Marchino slit the lovely Stella’s throat.
The lady, not his lust, was thereby slain.
For dead as living with her he abode.
I think he did it only for to boast
Of all men living he had sinned the most.

48
“We then arrived, and after battle hard
Entered the castle and the keep secured
And took Marchin, whose body was all scarred
From many wounds and battles he’d endured.
We hacked him into pieces in the yard,
And then the luckless Stella we interred
Within an ornamented sepulchre,
And laid her dear Grifone next to her.

49
“Orgagna’s king, his vengeance wrought, went home.
Within this dismal castle rested I,
But when eight months and one away had flown
We heard a horrible, bloodthirsty cry
Out of the tomb. What made it was unknown.
To tell our terror, I can’t even try.
Except three giants bold who knew no fear..
The King had ordered them to guard me here.

50
“One of them, great of heart and stout of limb,
Opened the sepulchre lid just a slit.
Regret immediately conquered him.
Because a monster, though it couldn’t fit
Its body through, thrust out a talon grim
And raked and clawed him so, he died of it
Almost at once. It tore of hunks of meat
And bones alike, and pulled them in to eat.

51
“Another man so bold could not be found
As to go near that house of woe and gloom.
We built a thick and lofty wall around
The church. With powder we destroyed the tomb.
A dark misshapen beast crawled on the ground.
We took one glance and fled for fear of doom.
Its awful shape I won’t describe to thee,
For it will be the last thing thou dost see.

52
“This custom all of us thereat decreed
Each day to slay a man and o’er the wall
To throw his body, for the beast to feed
Upon, lest it should seek to eat us all.
Bu when we catch more travelers than we need,
We cut some’s throats, stick some on gibbets tall,
And some alive we cut in pieces four.
Didst see them hanging over our front door?”

53
After the custom in its full enormity
And the detestable and unmatched crimes
By which begotten was the foul deformity
Are all explained, Rinaldo’s horror climbs.
And turning to the old hag who helped form it, he
Exclaims, “Ah, mother! Throw me in, that’s fine.
I only ask, as thou dost love Our Lord,
To let me have my armor and my sword.

54
The hag guffaws and says “It won’t help much!
But take whatever weapons that thou wilt.
No shield can save thee from its talons clutch.
By sword or mace its blood’s been never spilt.
Its teeth can slice through iron with a touch.
‘Twill gnaw thy broadsword up, both blade and hilt.
But take whatso thou wilt. Thy life is done
Regardless, but the beast will have some fun.”

55
The morning sun was raising up his head,
As Don Rinald was lowered over the wall.
The church door opened, and at once out sped
A beast misshapen and grotesquical.
It gnashed its teeth together. Filled with dread,
The lookers-on went running, one and all.
The wall is high and thick, but nonetheless,
In fear and terror, down the stairs they press.

56
Nobody stays to watch Rinald’s defense.
His shining armor and Fusbert he took.
But I believe you all are in suspense
To know just how the monster fearsome looked.
The loathsome beast’s existence fell commenced
When some ill demon from Hell’s darkest nook
Transformed Marchino’s seed inside the flesh
Of her whom he had lately put to death.

57
It’s larger than a bull, and far more strong.
Its massive head is rather like a snake’s.
Its mouth in measurement is six palms long.
Each of its teeth a palm and half length’s takes.
It has two tusks like boars’. Against these prongs
No shield nor armor can resistance make.
Upon each of its temples grew a horn
Which any way it wished the beast could turn.

58
Each of the horns like swords is sharp and keen;
Its bellowing could fill the deaf with fright.
Its skin was particolored gold and green,
And scarlet, sooty black, and snowy white.
Bloodstains amidst its tangled beard were seen.
Its eyes were blazing with hellfire’s light.
Its hands looked human, but they had such claws
As ne’er were seen on bears’ or lions’ claws.

59
Its teeth and talons were so sharp and hard
That they could pierce through any plate or mail.
Its pelt was thick. It never had been scarred,
Because no blade against it could prevail.
Now this abomination’s eyes regard
Rinaldo, and it rushes like a gale.
Upon two feet it turns, its mouth agape.
Rinaldo swings Fusberta at the shape.

60
And smacks it in the middle of its maw.
The wrathful monster moves as swift as fire,
Faces the knight, lifts up a massive paw,
And brings it down, and lands a blow so dire
It sheers right through his mail. So much it claws,
It tears to ribbons all his steel attire.
So strong its claws, so deftly does it work,
The worthy knight’s left standing in his shirt.

61
Rinaldo’s far from paralyzed by fear:
He sees death imminent and doesn’t blench.
He strikes a two-hand blow behind its ear.
Alas! The monster doesn’t even flinch.
But with each blow he lands, it grows more fierce.
Enraged, it leaps aback, then forward sprints,
And now with one paw, now the other slashes,
And on Rinaldo’s skin makes ugly gashes.

62
He bears four grievous wounds, but nonetheless
The world holds not a baron stouter-hearted.
He looks death in the face without distress.
His wrath burned fiercer as his strength departed.
What would in any other fight be best
In this one only gets his troubles started.
For even if the monster’s flesh he carves,
The castle folk may leave him here to starve.

63
The day’s beginning to give way to dusk,
And all this time the battle fierce has raged.
Rinaldo’s back against the wall is thrust.
He’s lost much blood and he is growing faint.
His death is pressing close at hand, he trusts.
But still he strikes great blows with his good blade.
It’s true, the monster’s blood may not be spilt,
But still he gives it many ugly welts.

64
His life he shall sell dearly, come what may.
He swings a mighty stroke, that baron true.
The wicked monster knocks his sword away.
Now what can Montalbano’s baron do?
He cannot flee. He’s doomed if he should stay
Because Fusberta from his grasp out flew.
But you must wait to hear about their war.
For in this canto I shall tell no more.

Notes

Book I, Canto VIII, Part 2

The Orlando Innamorato in English translation, Book I, Canto VIII, Stanzas 21-40

21
Rinaldo says to him, “Thou soon wilt know
Which of us two can better wield a blade!”
And viciously towards the brute he goes.
When the brute saw him, he was so afraid,
He turned his shoulders and he was not slow
But swiftly for a little stream he made.
One only bridge across this stream was thrown,
The which was made of one enormous stone.

22
On one end of the bridge there was a ring,
To which the giant fixed the chain’s hook tightly,
And when Rinaldo on the bridgestone springs,
And is about to slay the giant lightly,
The villain pulls the chain with all his strength.
The bridge collapses, “Holy God Almighty,”
Rinaldo cries, “O Virgin Mother, save –”
And with these words, he fell into a cave.

23
The cavern was tenebrous, foul, and wet,
And over it, rolled on the river black.
Across the mouth of it was spread a net
In which the baron’s captured. Nor doth slack
The foul giant. He takes no rest yet,
But slings the trussed-up knight across his back
And taunts him. “Wherefore didst thou give my friend
Such trouble? I still caught thee in the end.”

24
Rinaldo makes no answer to the churl,
But in his mind he thus laments his state.
“I see, how Fortune in her spite has hurled
Disgrace upon disgrace upon my pate.
Whoever is most luckless in the world
Would count him blessèd if he knew my fate,
For in such misery I have arrived,
I do not know how it could be described.”

25
As he lamenteth thus, tied up and bound,
The giant to the Cruel Castle came,
Where skulls and severed heads the merlons crowned,
And stuck on hooks, dead men and women hang,
But what was worst of all, were strewn around
The limbs and organs of men freshly slain.
The castle’s crimson stones seem from afar
Fire, but covered with men’s blood they are.

26
Rinaldo prays to God. He’s all alone.
I must admit that he was filled with fright.
Before him now appears an ancient crone.
Her dress was black, her unkempt hands were white,
Her face was wrinkled, her hands skin and bone.
She seemed both merciless and full of spite.
She bade the giant drop Rinaldo down.
Thus she addresses him, while he’s still bound.

27
“Perhaps, sir knight, thou’st heard from flying fame,”
The crone beings, “The customs full of sorrow,
Which we upon this barren rock maintain.
If not, then know that thou shalt die tomorrow,
And in what little time to thee remains,
Lest thou shouldst hope a further space to borrow,
I shall relate to thee the root and cause
Of our most cruel customs and fierce laws.

28
“A noble cavalier of matchless might
Was once this castle’s sovereign and lord.
He gave largesse, and kept his honor bright;
All travelers were welcome at his board.
He gave all wand’rers lodging for the night,
Damsels and pilgrims, cavaliers and bards.
His wife a lady was of high degree;
The fairest woman in the world was she.

29
“Grifone was this worthy baron named.
As Altaripa was this castle known.
His lady rightly was as Stella famed,
Because her beauty like the day-star shone.
It was in May, when Earth her joy regained,
Grifone left his castle, all alone,
And passed along the rolling ocean’s strand,
The very beach where you this morn did stand.

30
He roamed into the woods, and chanced to meet
Another knight, who out a-hunting rode.
He hailed him joyfully, and did him greet
With invitation to his own abode.
My husband was this knight of whom I speak:
Marchino, who did fair Aronda hold.
Grifone led him to this very hall,
And honored him, the way he did to all.

31
“Now, as it happened by unhappy chance,
Stella the beautiful he chanced to see.
And Love became his master with one glance.
He saw her comeliness and modesty,
And on her soft and lovely countenance
He gazed, and Love o’er him had mastery.
He longs for nothing, thinks of nothing else
Than how to have the lady for himself.

32
“He left the castle, meditating harm,
And came back home. We saw a great change in
His countenance, but knew not Stella’s charms.
He left Aronda with some of his kin
And took a shield that bore Grifone’s arms,
(For in his face, he somewhat looked like him)
And in the forest he did hide his band,
With armor on, and weapons in their hands.

33
“But he laid by his arms, as if the deer
He meant to hunt, and loud his horn he blew;
Grifon the courteous that winding hears,
For he was in the woods that morning, too.
He finds Marchino the accurst, who peers
Around to spot Grifone’s retinue,
And once he’s certain that he’s all alone,
‘Alas! I’ve lost it!’ he begins to moan.

34
“He hangs his head and sadly looks around,
Then starts, pretending that he just now sees
Grifon, and says to him, ‘I’ve lost my hound,
And know not where to look among these trees.’
They go together, and soon reach that ground
Where Don Marchino’s men plot villainies.
Not to prolong the history past reason,
They fall upon him and kill him by treason.

35
“Guised as Grifon, the gates he passes through,
And doesn’t leave a single man alive.
Young men and old, without remorse he slew,
The maidens, and the widows, and the wives.
Stella alone he spared, fair Stella who
Beholds the dead. He heart in anguish writhes.
To kiss and speak her fair Marchino starts,
But makes no impression on that pilgrim heart.

36
“She always thinks upon the cruel deeds
The wicked traitor wrought deceitfully,
And always close within her heart she keeps
Her much-belov’d Grifone’s memory.
Vengeance for him’s the only thing she seeks,
Vengeance, she thinks no thing could sweeter be.
At last, he cruel desires find consummation
Through the most fearful being in creation.

37
“The creature deadliest, most merciless,
The one most ravenous. More fierce than Hell is she:
A wife, who once was loved, who once knew bliss,
Who has been scorned and thus succumbs to jealousy.
The fiercest lion’s not more pitiless.
Than firedrakes or scorpions more fell is she.
Such is the wife, such is the woeful lover,
Who sees herself forsaken for another.

38
“I may well say it, for I proved it true,
When I found out about my husband’s deeds.
No greater grief I ever had been through.
Like a mad dog I howled in my grief.
When thou hear’st of the cruelty I used
That day, it scarce will win from thee belief.
But when love hath by jealousy been slain,
‘Tis strange if any goodness there remain.

39
“By my Marchino I had two young sons;
I slit the first one’s throat with my own hand.
The other stood and saw what I had done,
And said, ‘Stop, Mother! I don’t understand!’
I grabbed him by his feet, the wretched one,
And dashed his brains out on a boulder grand.
And dost thou think that my revenge was done?
May, rather I had only just begun.

40
“They still were warm, when I them cut in four;
And drew their little hearts out of their chests.
I chopped their limbs up. How my heart was sore!
But lust for vengeance all my soul possessed.
I save their heads, not for the love I bore
Them once. No love remained within m y breast.
I had no love, no pity, no remorse.
I wished to give my vengeance greater force.

Notes

Book I, Canto VIII, Part 1

The Orlando Innamorato in English translation, Book I, Canto VIII, Stanzas 1-20

ARGUMENT

Rinaldo at the Joyous Isle arrives,
But it’s Angelica’s, and so he leaves.
To save a kidnapped damosel he tries,
But he himself is by a giant seized.
In Castle Cruel, an old hag describes
Her wicked customs, scarce to be believed,
Then throws Rinaldo in a monster’s den
Where gallantly he doth himself defend.

1
Rinaldo at the Joyous Palace lands,
(For thus the island he had come to hight)
Whereas his wayward bark ran on the sand,
That bark that steered, though with no pilot dight.
Fair shady trees within a garden stand,
The sea inclosed it, beating on each side.
All was abundance, green was all the isle,
That stretched its length and breadth for fifteen miles.

2
Amidst the garden, looking out to sea,
A palace rich and beautiful appeared
Of marble white, polished so wondrously
That all the garden in its walls was mirrored.
Upon the sand Rinald leapt instantly.
To stay upon th’enchanted boat he feared.
And when he stands upon the beach, there greets him
A lady beautiful, who sweetly greets him.

3
The lady said, “O worthy cavalier,
You have been hither led by kindly Fate.
Pray do not think that you were guided here
Without  a reason on your journey great
Though such strange passages, so full of fear.
Joyful and sweet will be your final state
And pleasant, though most painful was its start
If, as I think, you have a loving heart.”

4
As thus she spoke, she took him by the hand
And to the Palace Beautiful him led.
The doors were reed and white, with carvings grand,
With marble black and green and flecked, inset.
The very flooring upon which they stand
Is all of parti-colored marble set.
Loggias on ev’ry side great treasure hold
Of bas-reliefs, inlaid with blue and gold.

5
And hidden gardens, luscious, fresh and green
Are on the rooftops and upon the grounds.
With paintings rich, with gold and gems’ fair sheen
These noble, joyous pleasances abound.
Clear fountains and delightful spread their streams
Beneath the shady trees that ring them round.
And best of all, there wafted sweet perfume
To joy the heart that’s most beset with gloom.

6
The knight and dame go in a gallery
Rich and delicate and gaily trammeled.
For ev’ry face and corner you could see
Was decorated with gold and enamel.
The sunlight’s rays were gently blocked by trees,
The sweetest known in all of nature’s annals.
The columns which that lovely work uphold
Have crystal shafts and capitals of gold.

7
Into this loggia is the baron gone.
Of ladies beautiful there was a band.
Three sang together, while one played upon
An instrument unheard of in our lands,
But sweetly harmonized it with the song.
The other ladies in a ring did dance,
And when that worthy in the loggia found him,
The ladies came and formed a ring around him.

8
One of them, with a count’nance sweet and fine
Begins, “The tables are made ready, lord,
And now it is the hour when we dine.”
And so, upon the lush, sweet-smelling sward
Beneath a trellis rosy they recline,
Beside a fount whence waters clear outpoured.
Here all things for a feast were ready dight.
The plates were golden and the cloths pure white.

9
Four of the damsels at the table sit,
And bid Rinaldo take the highest place.
Rinaldo with astonishment is smit.
His chair with ornaments of pearls is graced.
He sees arriving viands delicate
And goblets decked with jewels from brim to base,
Filled up with wine of scent and taste superb.
Three of the damsels on Rinaldo serve.

10
The dinner ended, and they cleared away
The sparkling plates and chalices of gold.
On lutes and harps they now begin to play.
One of the ladies to Rinaldo stole
And softly in his ear began to say:
“This royal palace, all the wealth it holds,
(And thou hast not yet seen one half its treasures)
Are all thine own to deal with at thy pleasure.

11
Our Queen devised this palace for thy sake,
For thee alone, alone of all men born.
Thou art a worthy knight indeed, to wake
Love in her heart, who doth so many scorn.
She’s whiter than the lily on the brake,
And redder than the rose among the thorns;
Angelica the lovely maiden hight,
Who loves with heart and soul and mind and might.”

12
When Don Rinaldo, joyous past belief,
Hears the maid named whom he detesteth so,
He never in his life has felt such grief,
And on his face is plainly writ his woe.
He rates the palace at a withered leaf,
And has no wish but to arise and go.
But then the lady says, “Attend, good sir.
Deny thou canst not. Th’art our prisoner.

13
Thy sharp Fusberta will not help thee flee.
Hadst thou Baiard, yet couldst thou not take flight.
On ev’ry side we’re girded by the sea;
Thou must forgo thine arrogance and spite.
To change thy bitter heart behooveth thee.
My lady wishes nought besides thy sight.
If thou art scared of one whose love is great,
What will thou do to one who bears thee hate?”

14
The damsel  now seems bold and now seems meek,
But neither art affects the cavalier.
He does not listen to a word she speaks,
But turns and stalks out of the garden dear.
The Joyful Palace seems but dull and bleak,
As with a pitiless cold heart and fierce
Desiring nothing but to leave that place
Towards the sea he firmly set his face.

15
He seeks the bark that bore him to these shores,
And when he finds it, leaps into the stern.
He’d rather take his chance with wave and storm
Than ever to that garden fair return.
The boat won’t move. He thinks he’s all forlorn.
To leave this isle doth his spirit yearn
So much that he is just about to leap
Over the rails and drown him in the deep,

16
When suddenly the boat casts out to sea,
And soon the island out of sight has passed.
No words of mortal man could possibly
Describe how swift it went, it sailed so fast.
When morning dawns, before his eyes he sees
That he has landed by a forest vast.
When Don Rinaldo steps upon the sand,
At once he’s greeted by an ancient man.

17
The greybeard says, though weeping sore with grief,
“Oh, don’t abandon me, O worthy knight.
For chivalry, for honor, give relief
To this poor ancient and defend the right!
A false, deceitful, and most vicious thief
Has stol’n my only child, my daughter bright.
He just ran off, thou’lt catch him if th’art fleet.
They can’t have gone more than two hundred feet.

18
The cavalier by pity’s overcome.
He has his sword, although he lacks a steed.
Along the sand, in armor clad, he runs.
Not for an instant does he slack his speed.
When the false robber sees the champion come
He drops the lady, but he doesn’t flee.
Instead, a mighty horn he drew and wound,
And with that noise the earth and sky resound.

19
Rinaldo rushes up the slope and sees
Not far ahead of him, a little spit
Of rock that’s jutting out into the sea,
On top of which a crimson castle sits,
Whose drawbridge lowers when the horn blows free,
And a ferocious giant crosses it.
His head was sixteen feet above the land.
A chain and javelin he had in hand.

20
This great chain had a hook upon its tip
(Now see if you can guess the reason why)
When the fierce giant sees the knight, he grips
His dart, and raises it, and lets it fly.
All the way through Rinaldo’s shield it rips
(Although ‘twas finest steel; I do not lie)
Then pierced the hauberk and the mail within
And lightly pricked the worthy baron’s skin.

Book I, Canto VII, Part 4

The Orlando Innamorato in English translation, Book I, Canto VII, Stanzas 61-72

61
“Of Baiard, I have made Gradass a present,
And we have made full reconciliation.
I’ll be his jester and amuse all present,
Thanks to Don Ganelone’s commendation;
I know that he will find these tidings pleasant.
For ev’ry man of you I’ve found a station.
Gradasso’s butler will be Charlemagne,
His carver Olivier, his cook the Dane.

62
“I told him Ganelone of Magance
Was a strong man; his heart was stout and good.
He ordered that a man of such puissance
Should fetch for him his water and his wood.
The rest of you back biters shall commence
To serve these other lords, and if you should
Follow my trade with diligence, you may
Be as esteemed as I am now, some day.”

63
Astolfo speaks without a laugh or smile,
And ev’rybody thinks his words are sooth.
Now is new misery on Charles piled.
Well might his paladins deserve your ruth.
Now Bishop Turpin speaks, “Ah, miscreant vile!
Hast thou forsaken Mother Church’s truth?
Astolfo says, “Sir Priest, depend upon it,
I have forsaken Christ and serve Mahomet.”

64
The French, astonished, turn as pale as death.
Some sigh, and some lament, and others weeps.
But now Astolfo wearies of his jest.
He throws himself at Emp’ror Charles’ feet.
“My lord, you are at liberty,” he says,
“And if I woke your wrath by my deceit,
For God’s sake, and for pity, pardon me,
For while I live, I shall your servant be.

65
“But mark my words! I swear thee by no means
Will I unto your court come ever back
Where Ganelone and his kinsmen dwell
Who know full well to change what’s white to black.
Unto your hands I trust all my demesnes,
For at the break of dawn I’ll start my trek
And won’t return, though I should freeze or scald,
Till I have found Orlando and Rinald.”

66
Nobody knows if he speaks truth or jests.
They sit and stare and try to read his face,
Until Gradasso, worthy lord, requests
Them all to rise up and be on their way.
Ganelon mounts his horse the speediest,
But Don Astolfo sees, and grabs his reins,
And says, “Halt, knight. You leave not by my will.
The rest are free, but you are pris’ner still.”

67
“Whose prisoner?” Count Ganelon demands.
“Astolf of England,” cometh his reply.
Gradasso makes the Christians understand
The terms Astolf and he abided by.
Astolfo leads Count Gano by the hand
Before King Charles, kneels, then meets his eye
And thus addresses him, “Your Majesty,
For love of you, I’ll set this caitiff free.

68
“But only on these terms and this condition:
That you will clasp his hands and have him swear
To spend four days confined within a prison
When I command. I shall choose when and where.
But above all, I seek for your permission
(For he’s accustomed to treat oaths like air
Towards the Paladins, and to your Crown)
To have his person well and firmly bound.”

69
King Charles says, “I will it to be so.”
Immediately they swear the oaths he seeks.
To Paris now the knights in triumph go.
Of nothing but Astolfo do they speak.
They throng around him, and their praises flow.
Some hug him tightly, others kiss his cheek.
For his great victory they weave him laurels.
He’s saved the Christian Faith and Emp’ror Charles.

70
The king tries ev’ry art to make him stay.
He offers all of Ireland in fee,
But he’s determined to be on his way
To find where Rinald and Orlando be.
I’ll leave him now, as he pursues his way,
And later I’ll resume his history.
That very night, just ere the break of dawn,
Gradasso and the Saracens are gone.

71
They come to Spain, where Marsil and his men
And all his barons go back to their homes.
Gradasso’s soldiers board their ships again,
A fleet so large, its numbers can’t be known.
I think my labors will be better spent
Than telling how the Saracens were blown
Through lands where Negroes swelter ‘neath the sun,
In telling you what Don Rinaldo’s done.

72
I’ll tell you all about his marvelous
Adventures, and his high and lofty quest,
Full of rejoicing, yet so perilous
That never was the hero so hard-pressed
But danger and misfortune as in this,
But ere I sing some more, I wish to rest,
And my coming canto I will show
Marvelous things of joyfulness and woe.

Notes

Book I, Canto VII, Part 3

The Orlando Innamorato in English translation, Book I, Canto VII, Stanzas 41-60

41
And thus addresses him, “O Emperor wise,
Every heart within a noble breast
Honor and glory over all doth prize.
He who desires only wealth, or rest
And showeth not his prowess to men’s eyes,
Should of his lands and rank be dispossessed.
I, who within the East had no small name
Came to the West to garner still more fame.

42
“And certainly not to acquire France,
Or Spain, or Germany, or Hungary.
Let my deeds henceforth bear me countenance
That I’m content  with my own signorie,
For none on earth can equal my puissance.
So now, here are the terms I offer thee:
Within my camp, thou and they valiant knights,
Shall pris’ners stay, but only for tonight.

43
“And in the morning I shall set you free,
And no more in your country interfere,
On this condition: thou shalt yield to me
The lord of Montalbano’s good destrier
Which I have won by combat lawfully,
Because that rascal didn’t dare appear.
Likwise, when next Orlando thou dost see,
Order thou him to send his sword to me.”

44
King Charles says that he will yield Baiard,
And for the sword he will do all he can;
But King Gradasso drives a bargain hard
And bids him sent to Paris town a man
To fetch the horse. King Charles sends Ricard,
But when Astolfo learns about this plan
(He’d had himself appointed governor)
He seized Ricard  and made him prisoner.

45
And then he sent a herald to the host,
Gradasso and his cohorts to defy,
And if of conquering Rinald he boasts,
Or making him to flee, give him the lie;
And that the treaty was an idle ghost,
For Baiard wasn’t Charles property.
And for his part, the steed he’d never yield
Unless Gradasso beat him in the field.

46
Gradass, on being challenged to a duel,
Asks who Astolfo is, and what his sort.
Charles, who tries to keep his temper cool,
Gives of his Paladin a brief report.
Ganelon says, “My lord, he is a fool
Who often gives delight to all our court.
Pay no attention to his nonsense, nor
Forgo the promises you made before.”

47
Gradasso says to him, “Thou speakest fine,
But think thou not that I’ll let thee depart
For pleasant words if Baiard is not mine.
This Don Astolf must have a valiant heart.
You worthy heroes as my captives pine,
And still he bids me to be on my guard.
Then let him come! If he’s a knight of force
I’ll have some fun before I take the horse.

48
But if by force Baiardo I obtain,
Then I may deal with you just as I please.
On our agreement you will have no claim,
Since you did not fulfill your pact with me.”
Oh, how distraught and wroth is Charlemagne,
For when he thought to have his liberty,
His barons free, himself once more a king,
This idiot will cost him ev’rything.

49
At dawn, Astolfo has Baiard prepared,
With leopards sewn on his caparison.
Enormous pearls upon his helm he wears.
His gilded sword hilt sparkles in the sun.
As many precious stones and jewels he bears
As one who ruled the whole earth might have done.
His shield is gold. He leans upon his breast
The gold lance Argalía once possessed.

50
His entrance on the battlefield he made,
Just as the sun above the hilltops shone.
A mighty blast upon his horn he played,
And he announced in far-resounding tone,
“O King Gradasso, if thou art afraid
To prove thyself against me all alone,
Then bring the great Alfrera by thy side,
And if thou wish, a thousand more beside.

51
“Bring King Marsil, and Balugante false,
Bring Serpentin and Falsirone then;
Bring on Grandonio, he who is so tall –
I’d love to knock him off his horse again! –
And Ferraguto, full of spite and gall;
All of thy paladins and all thy men
Bring with thee, from the greatest to the least,
For thus my glory will be more increased.”

52
With such words Don Astolfo loudly cried.
Oh, how Gradasso laughs, so long and hard!
He arms himself, and to the field he rides,
Where he so much desired to win Baiard.
He gives Astolfo greeting most polite,
Then says, “Sir knight, I know not what thou art.
I asked thy peers about my strange contester.
Ganelon told me that thou wert the jester.

53
“Others have told me that thou art a knight
Graceful, noble, courteous, and free,
Who dost in valor and high deeds delight.
Which one thou art, is yet unknown to me,
But I shall honor thee, who dar’st this fight.
But this I tell thee for a certainty,
That once I knock thee down with smiting hard,
Nought shall I take from thee except Baiard.”

54
“But thou dost count thy bill without thine host,”
Astolfo said, “And it behooves thee wait;
I’ll knock thee from thy saddle with one blow,
But since thou’st shown thy courtesy so great,
Thou shalt not pay a penny’s ransom, thou
All of thy captives thou shalt yield me straight.
And then thou shalt depart for Pagan lands
Immediately, with all thine heathen bands.”

55
“I am content thereto, by great Mahound,”
Gradasso says. They swear to keep these terms.
Then off he starts, and lets his truncheon down,
Banded with iron, which is so strong and firm
He trusts to knock Astolfo t the ground
And which could lay a wall upon the earth.
Astolfo, on the other side makes ready.
His strength is little, but his heart is steady.

56
Gradasso spurs his good Arabian mare,
Nor does Astolfo simply watch him speed;
The thundering of their hoofbeats rends the air,
And in the middle of the field they meet.
Astolfo strikes Gradasso’s shield just ere
The king strikes his. His vict’ry is complete.
The bottom of Gradasso’s shield he grazed,
And the great monarch from his seat was raised.

57
Gradasso finds himself upon the dust
And thinks he’s dreaming, but his mind soon clears.
He realizes that the war is lost,
And lost is Baiard, charger without peer.
He rose, climbed back upon his mare, and crossed
To Don Astolfo, saying, “Cavalier,
Thou hast the better of me here today.
Come, take my prisoners without delay.

58
To the camp riding, hand in hand they go.
Gradasso does the victor honor great.
King Charles and the Paladins don’t know
The jousting’s terms, or what will be their fate.
Astolfo to Gradasso whispers low
Not to tell Charles what has chanced of late
And to keep quiet while he plays a jest.
He wanted vengeance; this way suits him best.

59
With hard-set face, before the king he strides
And says “Ah ha! Thy sins have found thee out!
Thou wert puffed up with arrogance and pride,
And reckoned all the world a rabble rout.
Orlando and Rinaldo saved thine hide,
And thou hast sought for ways to drive them out.
Lo! Thou wouldst take Baiard against all right,
And now possesses him this king of might.

60
“Against all right thou threwest me in jail
To do a favor unto House Magance.
Now see if Ganelone will avail
To save thee now, or save thy realm of France.
The great Orlando will not be thy bail,
Nor will Rinaldo, master of the lance.
Hadst thou not foolishly chased them away,
Thou wouldst not be a ruined man today.

Book I, Canto VII, Part 2

The Orlando Innamorato in English translation, Book I, Canto VII, Stanzas 21-40

21
He would have been a captive, or a corpse,
But as I said, Alfrera reappeared,
Swinging his iron mace with deadly force
As through th’advancing Christian host he sheared.
Burgundian Gui he topples from his horse,
And good Duke Naimo of the hoary beard.
But Olivier, Dudon, and Charlemagne
All three at once against the giant came.

22
One charges from that side, and one from this.
Boldly and gallantly they urge their steeds.
He cannot turn his giraffe around. It is
By nature quite a lazy, sluggish beast.
He swings great strokes, but all of them just miss.
Charles and his companions dodge with ease.
Since nought he did availed him, he abated
His fight and fled to where Gradasso waited.

23
His flight the haughty lord Gradasso spies,
Who used to hold him in a high regard.
He turns to him in anger, and he cried:
“Ah, worthless coward, vile sack of lard!
Art thou not shamed, so cravenly to fly?
Art thou so great of limb and small of heart?
Go wait inside my tent, thou scorned of men,
And never let me see thee armed again!”

24
He ceases talking and he spurs his horse,
And with one thrust he overthrows Dudon.
And with what seems a more than human force
He floors Ricardo and King Salamon.
The men of Sericane behind him course.
Their dragon-hearted king deserves his throne.
His lance was iron bound, twenty feet long.
The world has never seen a man so strong.

25
Against Count Ganellone he collides,
Striking the falcon’s breast upon his shield.
He knocks him to the ground, his legs sprawled wide,
Then spies King Charlemagne across the field.
His lance in rest, with utmost speed he rides,
And with one blow, his seat the emperor yields.
But as Gradasso Baiard’s bridle clasped,
That destrier turned its croup, and lightning fast

26
With a loud neighing, he kicks out his heels,
And just below the knee gives such a clout
That though his greaves were of enchanted steel,
Yet they were dented in, while sparks flew out.
Worse pain than ever now Gradasso feels.
It runs all through him, so he turns about,
And leaves Baiardo, letting fall the rein;
The good beast swiftly back to Paris came.

27
Gradasso flees in anguish to his tent.
You all may guess what agony he’s in.
Straightaway for an agéd man he sent,
A master of the art of medicine.
He binds the wound with skill, and then presents
A potion brewed from herbs and roots to him,
Which, when Gradasso quaffs it all, it seems
As if his wound were nothing but a dream.

28
To battle he returns, sans pain or fear .
In fact, he’s even fiercer than before.
Against him gallops Marquis Olivier,
But with one blow he knocks him to the floor.
Avin, Avolio, Guido, Angelier,
Without a pause he overthrows all four
To tell it shortly, ev’ry Paladin
Was by Gradasso captured with great vim.

29
The Christian people turn about and flee;
Against the Saracens no more they fight.
The Frankish lords are in captivity.
The other rabble in distress take flight.
No Christian faces do the pagans see;
Captives or slain are all the valiant knights.
And of the rest, none than the next is bolder,
And all show to the Saracens their shoulders.

30
Now all of Paris hears the tidings dread
Of the defeat, and Karl’s captivity.
Ogier the Dane leaps up at once from bed,
Lamenting loudly, as a baron free.
He donned his arms, then to the gate he sped
On foot, not waiting even for his steed.
But he commanded it be harnessed straight,
And brought to meet him at the Paris gate.

31
When he arrived, he found the gate was down,
And from without he hears the woeful cry
Of all the baptized cruelly cut down.
The murd’rous porter at his ease there lies;
So that the Pagans enter not the town
He is content that his compatriots die.
The Dane him bids to open up the gate;
He clearly sees he can’t a minute wait.

32
The scowling porter, like a churl, informs
The Dane he has no wish to raise the gate,
And with proud boasts he blusters and he storms
That his appointed post he’ll ne’er forsake.
Ogieri lifts his axe, which so alarms
The porter, that he doesn’t hesitate
To run away in terror with a shout.
Ogieri opes the gate and rushes out.

33
Upon the bridge forth strides the gallant knight;
With axe in readiness he takes his stand.
Now is he fortunate to have keen sight,
For as in terror fled the Christian band,
Each of them wishing to be first in flight,
The swiftest Pagans mixed among them ran.
The mighty Dane perceives them where they go,
And with his axe he brings them all to woe.

34
The Pagan army ever closer sped.
Don Serpentino leads them their attack.
Upon the bridge, as swift as lightning, leapt
The Danish hero, brandishing his axe,
And brought it down on Serpentino’s head.
The sparks fly from his helm, which would have cracked
If Serpentino’s armor were not made
By magic art, secure from all such blades.

35
The Dane upon the Pagan army gazed.
Gradasso led, and mighty Ferragu.
So many enemies Ogieri faced,
He clearly saw that nothing could he do.
He called behind him that the bridge be raised.
There never was a knight so brave and true.
Alone against the Pagan host he fights,
And keeps them off the bridge in their despite.

36
Gradasso confidently ‘gainst him came,
Ordering all his vassals to step back.
Ogieri hears the gate shut with a clang,
And in a brave despair he lifts his axe.
Gradasso seizes it, to snap in twain,
Then lights down off his charger, and he grasps
The Dane, who’s stout and skilled in wrestling play,
But King Gradasso carries him away.

37
No knights were left to make an opposition,
As day gave was unto the dusky knight.
The priests lead all the people in processions,
With pure intent, and clad in garments white.
Open is ev’ry church, and ev’ry prison
With fear and terror they await the light.
None dare to rest, for once the gates are breached,
Destruction waits alike for all and each.

38
Astolfo with the others was set free;
No one remembered that he was alive;
For once he’d been thrown in captivity
A rumor went around that he had died.
His habit was to talk incessantly
And brag more proudly than I could describe.
He heard the news, and “Oh, alas!” he moaned,
“Of my arrest, Gradasso must have known!

39
“Had I not been thrown in a dungeon cell,
King Charlemagne would have no cause to moan.
But even now, I can make all things well,
I’ll take Gradasso pris’ner by my lone.
Soon as the dawning o’er th’horizon swells
I’ll arm myself and mount upon my roan.
You all, stand on the walls and watch me fight.
Woe to the infidel who tests my might!”

40
Meanwhile, joy possessed the pagan races.
They cheer their ruler and upon him fawn.
His glee unbounded written on his face is,
Dreaming of seizing Paris at the dawn.
He’s put Alfrera back in his good graces.
Now to review his prisoners he’s gone.
When he sees Charlemagne, he sits down, and
He takes his fellow monarch by the hand